- Joined
- Mar 22, 2015
- Messages
- 57
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You need to read the manual.I used an ME Super for the first time at the weekend, with a 135mm f3.5. Lovely compact combination...it felt even smaller than my OM1. All shutter speeds shown in viewfinder, Nikon FM3a-like, although with an LED rather than a needle. It felt very nice in the hand.
Only downside is that there are no shutter speeds on the dial. I guess the buttons allow you to alter the electronically guessed speeds but I haven't experimented with them yet.
Like you I got some fairly decent (and contrasty) negs - although I did expose and develop for HP5+ only to see FP4+ appear along the top of the negative strip...
Very nice shots!These are from the first roll of film (Fomapan 200) through my Pentax ME Super that I picked up at the local car boot sale the other week. I cleaned it up, cut and fitted new light seals, new batteries, switched the lens from the 1.7 it came with to the 1.4 I had already.
Developed the film last night in fresh D76 and tweaked the scans for dust and levels.
Pretty pleased with the results, I do love these little Pentax SLRs!
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Ah HP5+ and FP4+ aren't too far apart I guess. Maybe that's YOUR undiscovered secret to great photos
Very nice shots!
But, I wonder how the /1.7 would fare compared with the /1.4.
I never had the 2 Pentax-M series. Only the /1.7 and that one was pretty good.
Thanks!I think I have almost all the Pentax primes, there are at least three generations of 50mm f1.4, two of 1.7 and one of 55mm f1.8/2.
IMO the 1.7 is the worst of them, still decent but it is outclassed by the 55mm 1.8 they replaced (that were Takumars in disguise), for the 1.4, the K version is better, but for a Mx or a ME it the M version suits more the size of the camera. The A class lenses aren't well made in comparison to the predecessors.
That Pentax lens looks as good or better than the non AI H 50 2 I had on a Nikkormat. Great bokeh and sharpness. It makes you wonder why people pay thousands of dollars for "better" gear.
To follow up on the cheap camera & transportation theme, the first shot is from an Argoflex TLR. Shanghai 100 GP3 in Rodinal at 1:25 w/ a yellow filter. The second is from a Rolleiflex E w/ Planar (Tri-X in D76 full strength). OK, the Planar is better, but then it was $700 vs $10 for the 'flex.
I have the Nikkor 50mm f2 AI and IMO it's just an average performer, a SMC Takumar 55mm or K 55mm outclass it. The Pre AI Nikkor 50mm S-C I have is a very nice lens but more prone to flare than a SMC Tak 50mm 1.4.
I would be interested to know how good the Pentax 50mm 1.2 is over the 1.4. (I appreciate if you HAVE to shoot at 1.2 then you can't do that with a lens that only goes to 1.4!). The 1.2 is a very expensive lens relative to the 1.4 I have!
Great reply, thank you!
I love the look of "big glass" on a camera, but if it is too big on the LX then it would be the same or worse on the MX/ME.
Great reply, thank you!
I love the look of "big glass" on a camera, but if it is too big on the LX then it would be the same or worse on the MX/ME. I'm yet to shoot anything at 1.4 on my lens accurately enough to say I needed that aperture, so again 1.2 isn't *required* by me. That said, would I buy one anyway? If I had the money? Yeh.... definitely
I have the (digital) Fuji 56 1.2 lens and the only way I can accurately focus that when doing portraits at 1.2 is when I manually focus and use the built in EVF zoom facility so I can really critically focus. So trying to do so on a manual SLR would be very hit and miss I would suspect, at least for me.
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