Last night I printed an old 35mm neg in a glassless carrier and then printed the same neg in a glass carrier. The print from the glass carrier is approx 1/2 a grade lower in contrast than the glassless, anyone else had this happen? Needless to say the glass was seriously clean.
Perhaps the glass surfaces caused some internal reflections to increase flare. To be honest, I have never felt the need for glass carriers with 35mm film--the base is stiff, tend, by nature, to curve in one direction only, and a glassless carrier seems to clamp the film adequately.
Depending on the carrier, you might also be introducing some reflection based flare into the light path.
Is it a black carrier, a white carrier, a metallic carrier. or ....?
It’s a black framed LPL glass neg carrier. I agree, the glass must be absorbing a bit of a particular wavelength.
I was getting some softness on one side of the print when using the glass less carrier which was fixed by using the glass carrier. I suspect there may be a problem (slightly warped) with my 35mm glassless carrier.
I assume you're using a 4x5 glass carrier. Are you masking the 35mm negative in the carrier? If not, that could be the cause of your problem. You'd have a lot of extraneous light bouncing around below the negative.
I assume you're using a 4x5 glass carrier. Are you masking the 35mm negative in the carrier? If not, that could be the cause of your problem. You'd have a lot of extraneous light bouncing around below the negative.
Something else: if your glass carrier has an Anti Newton glass on top, this could also be part of the reason. For 135mm I have two negative carriers for the Focomat IIc, with (AN) glasses or glassless. It makes a difference. I have never found that a problem, because it is simple to correct . . . in fact I like this parameter as it gives me extra possibilities.
A Leitz Focomat glassless carrier presses 35 mm neg against Newton glass sitting below condenser lens. I only used glass carrier with odd sized negatives smaller than 35mm, and never with glassless carriers, so I wouldn’t have noticed any difference.
But markbau made an keen observation observation. Such are the reasons I follow the threads on APUG.
If you’re enlarging a 35 mm negative in a larger-format glass carrier, the area outside of the negative might let relatively bright non-image light fall onto the easel and baseboard. That light might strike some nearby surface and be reflected onto the paper during the exposure resulting in some moderate fogging. If so, that might lower the contrast.
This wouldn’t happen with the metal carrier, whose opening masks the edge of the image rectangle on film. The 6 x 7 cm LPL glass carrier has a built-in adjustable masking-blade set to prevent unwanted spill light around the edges of negatives smaller than 6 x 7 cm.
If the glass carrier doesn’t have a masking-blade set, you can fashion a black paper mask easily enough. See posts 18 & 21 in the following thread for notes on making and using such a mask:
A Leitz Focomat glassless carrier presses 35 mm neg against Newton glass sitting below condenser lens. I only used glass carrier with odd sized negatives smaller than 35mm, and never with glassless carriers, so I wouldn’t have noticed any difference.
Something else: if your glass carrier has an Anti Newton glass on top, this could also be part of the reason. For 135mm I have two negative carriers for the Focomat IIc, with (AN) glasses or glassless. It makes a difference. I have never found that a problem, because it is simple to correct . . . in fact I like this parameter as it gives me extra possibilities.
My carrier does not have anti-newton ring glass, it was a 67 glass carrier, the blades are a bit wonky so yes, there was some light spilling outside the picture area, I never thought that might cause a lowering of contrast but I think you're right.