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I think the GF670 may be one of the finest medium format cameras ever made. The lens is absurdly sharp, the format change is really well done, the meter is very accurate, plus it's so light weight and packable. When it came out people complained that it was expensive relative to other 'used' cameras, as if the used market for old 120 cams should influence the cost of new.
My understanding is that Fuji kind of shiv'd Voigtlander by undercutting the price of the Bessa III, not great. It was on the market for a few years, and then discontinued excepting the weird old-stock event. Kudos to them for making the GF670W. I'm still not entirely clear on who actually produced it. If I had to guess, it would be Cosina Voigtalnder but it could easily have been Fuji.
I didn't buy one when they were out, I should have. I think that I should buy one on a quarterly basis. I have rented and even owned one for a short ish period and loved it. Sold it out of stupidity. Every time I think about buying one though I worry about the 'bricking' aspect of the camera. It has a deserved reputation as not easily repaired. I guess some of the develop a battery drainage issue. The RF (though user calibratable) can go out more easily than comparable cameras (by reputation).
How did that happen? If someone asks about Mamiya 7 repair I know they can go to Nippon Photo Clinic in NYC and get a working camera again, most likely. Most shops don't want to look at GF670s. It just seems strange for the 'newest' 120 camera to be a relatively high risk buy even though it's from major makes. Voigtlander specifically should be able to service these cameras as they are a big player in the field of niche film equipment.
The wife and I are kicking over a bucket list item by doing the Cotswold Way hike in May. I'm either going to bring my Rolleiflex 2.8E + a film P&S, just my Leica M4P with 21/35/50 Voigtlander lenses, or to heck with it a GF670! Just kind of a sad state of affairs regarding my favorite 120 cam (or maybe 2nd favorite after my TLR).
My understanding is that Fuji kind of shiv'd Voigtlander by undercutting the price of the Bessa III, not great. It was on the market for a few years, and then discontinued excepting the weird old-stock event. Kudos to them for making the GF670W. I'm still not entirely clear on who actually produced it. If I had to guess, it would be Cosina Voigtalnder but it could easily have been Fuji.
I didn't buy one when they were out, I should have. I think that I should buy one on a quarterly basis. I have rented and even owned one for a short ish period and loved it. Sold it out of stupidity. Every time I think about buying one though I worry about the 'bricking' aspect of the camera. It has a deserved reputation as not easily repaired. I guess some of the develop a battery drainage issue. The RF (though user calibratable) can go out more easily than comparable cameras (by reputation).
How did that happen? If someone asks about Mamiya 7 repair I know they can go to Nippon Photo Clinic in NYC and get a working camera again, most likely. Most shops don't want to look at GF670s. It just seems strange for the 'newest' 120 camera to be a relatively high risk buy even though it's from major makes. Voigtlander specifically should be able to service these cameras as they are a big player in the field of niche film equipment.
The wife and I are kicking over a bucket list item by doing the Cotswold Way hike in May. I'm either going to bring my Rolleiflex 2.8E + a film P&S, just my Leica M4P with 21/35/50 Voigtlander lenses, or to heck with it a GF670! Just kind of a sad state of affairs regarding my favorite 120 cam (or maybe 2nd favorite after my TLR).