Thanks everyone for your kind words and encouragement. Just looking at the size of the film aperture on a DDS makes me feel excited...having been used to working mainly in 35mm, the sheer size of the the neg is going to be awesome
I'm getting used to my 4x5 enlarger too. Recalibrating my zonemaster has been frustrating, but I'm getting the hang of it (again), so I'll be ready to make some nice prints once I make some nice negs.
My plan is to just keep the standards parallel to start with and get used to making BIG negatives. Then, I'll start to add some camera movements, one at a time.
I won't bother doing any film testing until I have got the hang of the camera: I'll stick to HP5 plus, rated at EI200 and developed in Perceptol to begin with. This combination has always given me nice negatives in both MF and 35mm, so it will probably do to start with.
Having to use my brain again to work out exposure corrections for filters and lens extension will be interesting to start with. I think the worksheets in Ansel Adams' book 'the negative' will be handy here, so I'll make copies to keep records.
Hopefully, my entry into LF photography won't be too rocky if I take my time and try not to run before I walk!
Cheers