You summed it up pretty nicely.
As you're stepping up to 6x7, I seriously doubt that you will ever shoot 4,5x6 anymore. If I were you, I wouldn't even bother to buy the rollfilm holder. For the same reason, once you've accepted the difference in wheight and size of the camera and lenses, I can hardly figure why anyone should suggest you to buy a Hasselblad instead.
It's the shutter, not "the lens" that has a 1/400th maximum speed. This is normal with leaf shutters of this size (#3 shutters for 4x5'' format have a maximum speed of 1/125th!). There is a built-in shutter in each lens, so if you don't want to be appointed "client of the year" at your camera repair shop, be sure to check well that the shutter of the lens you are buying is ready to use and perfectly working at all speeds. (On the other hand, these Seiko shutters seem more reliable over time than others, when well kept: I own an RB system since more than 20 years and I never needed to have any shutter serviced).
A service that you will possibly need to consider, is to have the light seals in the rollfilm holder and the mirror damper foam replaced: these are usually "gone", unless the previous owner had them replaced and the camera was well mainteined.
I have the Mamiya RB67 and a Mamiya 645 pro tl. I find these cameras to be a good value for the $$. Like you, I don't have unlimited funds available so I found that I could afford a suite of lenses and backs for each camera.
I've found that backpacks are the way to go (for me) to carry these cameras, particularly on mountain hikes. However, the 645 is small enough that I can throw it along with a lens or two in a larger camera bag for a day trip.
I've never had a Hassy, but I have owned a Bronica ETRSi system. It was OK but I liked the Mamiya more..While it's clearly not a "top of the line" system, the Mamiyas are good, substantial cameras. (I also don't own a Rolls Royce and I don't hang out at Monte Carlo.)
Insofar as shutter speed on the RB is concerned, I don't think you'll do much handholding; a substantial tripod is highly recommended. Once you're on a tripod, shutter speeds of 1/4 or 1/2 sec for many scenes are no problem. (Clearly this isn't a sports camera!). Also, I find that setting up the RB forces me to work slower and more deliberately. This is a good thing fdr me.
Others will have different opinions but these are mine..
All lenses use the same Seiko shutter with the same 1/400th top speed, as far as I know.By faster lens i meant if there is a lens with faster leaf shutter, 500 maybe? §
Also, do all rb67 lenses work on the pro S model? I couldn't really get my head around the mount
All lenses use the same Seiko shutter with the same 1/400th top speed, as far as I know.
Again as far as I know, all lenses and bodies (non-C , C vs. Pro, Pro-S, Pro-SD) are backward and forward compatible. I don't know of any exception.
As you have done your research you may have considered a Pentax 67, later model with mirror lock up. Top shutter speed of 1/1000, nice range of lens, down side is does not have interchangeable backs. I have a Kowa 6 without and a Super 66 with interchangeable backs. As I seldom use color not having different backs is no longer an issue, having mirror lock on the Super 66 is.
I have a RZ67 but it's not something I carry around for casual shooting. For years I had a Bronica SQa with the speed grip and AE prism. This outfit was easier to use and carry around than the Nikon F4s I had. With the SQa, you can add a 645 back if you want to shoot rectangle photos or learn to enjoy the square format or just learn to crop.
Bronica did make a 6x7 system, the GS-1. The only drawback I can see, compared to the RB67, is the lack of rotating back. Vertical shots would require using a rotary prism finder.Yeah I’ve looked at the Pentax and feels that I loose a bit of the flexibility I’m after, and it’s usually pricier.
I’ve been looking at the Bronica as well but it’s biggest is 6x6, right? And I don’t know about servicing as they’re electronic as well as the brand is dead
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Again as far as I know, all lenses and bodies (non-C , C vs. Pro, Pro-S, Pro-SD) are backward and forward compatible. I don't know of any exception.
Bronica did make a 6x7 system, the GS-1. The only drawback I can see, compared to the RB67, is the lack of rotating back. Vertical shots would require using a rotary prism finder.
I've had an SQ-A body for over 15 years now and have had zero problems with the body, backs, lenses or any accessories. Biggest plus for me is the system is really versatile and has been very durable.The lens shutters are all electronically controlled Seiko. The SQ had the least electronics, the SQ-A added mirror lockup and capability for using auto-exposure finders. SQ-Ai added Motor drive capability, longer shutter speeds, OTF metering and TTL flash capability, and a few other changes. There's a good amount of lenses and accessories on the used market, and the prices are reasonable. I've thought of jumping to Hasselblad, but the cost difference would only net me a fraction of the Bronica gear I have now, in terms of variety of lenses and accessories I can afford. Are the Zeiss lenses better than Bronica? Maybe in some cases, but I've never had any reason to complain. There was also an SQ-Am and SQ-B produced, with different features and capabilities.
As of a few years ago, Tamron USA was still servicing Bronica. Don't know if that's the case now, but I'd guess there are some independent repair people out there.
I have lots of different Mamiya options. C330, 645 Pro and RB67.
The 6x8 option for the RB67 is quite limited - you can't actually see the full frame in the viewfinder, and it only covers completely when the back is in one orientation.
There was a 6x6 back, but they are very rare, and frankly didn't make much sense.
I use both 6x7 and 6x4.5 backs on mine. Mostly I use the 6x7 backs, but I do get good use out of the 6x4.5 backs. The three biggest reasons that I use the smaller format are:
1) the rotating back feature - it is really useful;
2) I have a projector for 6x4.5 (and 6x6) slides. I don't have a projector for 6x7 slides; and
3) You get more exposures per roll.
I do use my RB67 hand-held. The left hand trigger grips make a huge difference when using the camera that way. That being said, the camera, lenses and backs that I have are big and heavy.
The RB67 (and the RZ67) are and were top of the line. They are and were durable, pro level equipment.
They can be serviced, but I don't believe that there are any new parts being made.
Found out that it’s just the L series that won’t work on RBRight. Keep in mind that some K/L (???) lenses may have a rubber ring affixed to the rear mount to allow them to be used on RZ cameras (honestly, I am unsure of the details, but some lenses have this ring).
Anyway, the rubber ring needs to be pulled off (it comes off easily) to allow it to be mounted on the RB67.
There is also more RB information on this thread:
https://www.photrio.com/forum/threa...o-s-hail-the-emperor-of-medium-format.131051/
Hasselblads are no longer all that expensive. Think of it as taking a little longer to save for the next lens.
You can't really go wrong with the RB according to what you have posted. Not a lot of mechanical medium format cameras out there really. One other you might look at if you want fully mechanical is the Bronica S2a. The Bronica is a good system but it is old. I've always thought the Hassy is expensive for what it is unless you have the money then it is great. I'd rather just shoot 4x5... If I had the want and the scratch I would get one of the focal plane Hassys myself (200/2000 series).
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