Therefore I say we have a rule, the rule of reciprochal GAS - every time you buy a camera, buy a block of film.
That's the spirit! I ran out of space in the freezer and now have twenty rolls of slide and thirty rolls of colour print waiting at room temperature.I confess I have been buying up film faster than cameras. I just bought a 7 cu ft freezer to put it all in ---- and it looks like it might not be big enough! I'll have to get another.
Photography I have found over more than fifty years involvement in it, and after considerable expense to these ends isn't a problem that be solved by throwing money at it, once you have the most expensive and highest quality equipment that's manufactured and your pictures are still crap, where do you go then ?.Not sure it is either. I would call it a roadblock or a trap.
Most of us are here to make art. Getting GAS, where you fall into the trap of "maybe this camera will cause me to make better art" prevents you from making art.
There is a point where you should buy gear. If you need a tilt shift lens to achieve an effect, buy one of you will use it enough. Otherwise, rent it. But when you buy it without needing it for a project, then you just started avoiding creating somehting in favor of trying to improve through gear.
Maybe we all just fall into the trap of hoping for that magic bullet.
My advice is to send your kit to me and take up macrame Just a thought..once you have the most expensive and highest quality equipment that's manufactured and your pictures are still crap, where do you go then ?.
I do both. Quite a bit of my art is done on modern(ish) Canon EOS kit. The other cameras and stuff are another thing altogether. A well designed and well made camera is a work of art in its own right and I collect them for that reason.Not sure it is either. I would call it a roadblock or a trap.
Most of us are here to make art. Getting GAS, where you fall into the trap of "maybe this camera will cause me to make better art" prevents you from making art.
Photography I have found over more than fifty years involvement in it, and after considerable expense to these ends isn't a problem that be solved by throwing money at it, once you have the most expensive and highest quality equipment that's manufactured and your pictures are still crap, where do you go then ?.
I'm very happy with what I have and have no wish to part with it, once I realized about thirty years ago that constant "upgrading " of my hardware wasn't going to improve my work, and that I already owned equipment that better photographers than I had become legends using, I spent the money I would have spent on equipment upgrades on attending photography workshops and courses and on photographic books that I studied to improve my knowledge of the subject.My advice is to send your kit to me and take up macrame Just a thought..
I found that not constantly worrying about acquiring equipment and concentrating on making the best use of what I already had very liberating".
I think it's definitely obsessive compulsive behaviour, and once their collection of cameras reach fifty they should be compulsorily put in a rubber room on the funny farm
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