Here is something older and a bit more heavy duty (the camera, not the model): http://www.ebay.com/itm/PRICE-CUT-o...ional-film-cameras-ZEISS-PRIMES-/261084733044
If EK/KA marketed their film the way this guy markets his film cameras, threads like this one would not even exist...
Ken
so how do we get into this sort of filming? do we use any vintage film camera? is there a sort of 1900's hollywood quality film cameras still available that accepts modern film?
If EK/KA marketed their film the way this guy markets his film cameras, threads like this one would not even exist...
Ken
You can use vintage cameras, cameras only a few years old, or cameras fresh from the manufacturer.
You can buy new 16mm and 35mm cameras. A new Super-8 camera is in the making.
I would not mind if it produced sub-par images, by today's HD filled world, just to use the film is question!
Demand is down by about 80% + or so. This is regardless of marketing. Kodak is the only supplier, but the moviemakers want digital for the most part.
Demand is down by about 80% + or so. This is regardless of marketing. Kodak is the only supplier, but the moviemakers want digital for the most part.
PE
But please if you have the full day it would take to peruse them, read through Ratty Mouse's far away in a science lab in China speculation rants to see if *any* of it has any merit?
Wordness....
Demand is down by about 80% + or so. This is regardless of marketing. Kodak is the only supplier...
But please if you have the full day it would take to peruse them, read through Ratty Mouse's far away in a science lab in China speculation rants to see if *any* of it has any merit?
Wordness....
Go Ferrania.
Ken
The biggest barrier to film is the cost, anyone can hire a digital camera and shoot everything for a few hundred a day then edit on their $2k home PC; film requires a lot of cost for negs, developing, then either internegs and prints or scanning to a digital workflow. But if you want to give it a try, go ahead: the equipment is dirt cheap these days, there's a lot of film up for sale (there was a url link here which no longer exists) too.
Demand is down by about 80% + or so. This is regardless of marketing. Kodak is the only supplier, but the moviemakers want digital for the most part.
PE
Go indeed.
I just had the thought, is Kodak really the last remaining Cinefilm manufacturer of any size? Fuji quit a year or two ago, so there are no more 'big ones'. Agfaphoto, Orwo, Smena, Lucky, any of them do or did Cine?
Kodak quitting might be the best thing to happen to Ferrania, there will suddenly be a lot of demand (by Ferrania standards) for Cine film once the K supply is gone, add in a few desperate directors and there'll be more than enough VC to finance the R&D and do a small run every now and then.
Or might Ilford even get into the game? If cine film is to be a low-production niche within 5 years, and even if digital replaces colour completely, I'm sure Tarantino would love to use some B+W shots inamongst the rest (weren't there some B+W cut scenes in Kill Bill? Edit: yes, DoubleX 5222 no less). Just take some regular FP4, strengthen the base, and coat on some Remjet, it can't be much harder than that? (Cue PE and or Simon saying that it is a lot harder than that).
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?