Kodak Ultracolor 400 was discontinued in 120, but Ektar 100 was added.
Film will never be completely replaced because it isn't a quality issue for most the folks still using it, it is an aesthetic issue, and an issue of taste.
My childrens' children will be able to buy film.
I even waste quite a lot of film just to help keep Ilford in business. Every bit helps
Color is complex stuff. If Kodak and Fuji fall, bye bye color. I wonder if Ilford could manufacture color films.
They have done it before, I'm sure they could do it again (but it would be colour, not color!).
The tests I have done so far show the resultan prints superior to an all digital b/w print even considering the Epson 3800 printer.
to us geezers who grew up in film, we can see the difference.
First of all to do digital B&W you should shoot raw and then convert in to B&W in your processing software like Lightroom , PS elements of the regular Photoshop !I tried some in camera black and white digital today. I was disgusted. It does not begin to compete with my Rolleicord, nor with any of the black and white films I have used. The tonality is not there. Also, I like my grain. Even when I scan my negatives they need a minimal of post processing. I even messed with the in camera contrast and a "red" filter, it didn't help. This all assures me that at least black and white film will be around for a long time. Besides, TLRs are a lot of fun to use.
First of all to do digital B&W you should shoot raw and then convert in to B&W in your processing software like Lightroom , PS elements of the regular Photoshop !
First of all to do digital B&W you should shoot raw and then convert in to B&W in your processing software like Lightroom , PS elements of the regular Photoshop !
iandavid;876569 Shooting with film is like boating with sails. That is why film will be around for a long time.[/QUOTE said:True, just think of all the wonderful and different film cameras that one can use.
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