hmm ... yes they do don't they
say, someon has said that there should be some sort of 'washer' or spacer between the back 'section', but when I bought mine there was none.
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There is an outside thread (for the "nut" which tightens the lens board) and an inside thread (for the back section) but that's all I've ever seen.
The "pin" is actually a small screw that you'll need to remove when mounting the lens on a board that doesn't have the corresponding hole.
(Tape that tiny screw to the inside of the lens case/box somewhere -- assuming you have one -- so you don't lose it.)
yes, I know, I've already unscrewed it and taped to that linhof board. I now use a Toho which has a round board and no hole ;-)
Round board!? That sounds like fun.
Coincidentally I have just recently purchased the same lens -- a Fujinon SW 1:8/90 -- and it's ... gee, I dunno, haven't used it yet. Let us know how yours goes!
Wow. Impressive. Did you use a roll film back for that?
Antje
If a Nikon doubles that sharpness (which it might) I want one
no, just sheet film with a 1/2 dark slide allowing me to get 2 exposures to a sheet (a poor mans roll back![]()
You mean you shot in vertical orientation with the standard slide pulled out half way, or you have a special "1/2 slide"?
If the former, do you have a mark on the slide so you know when it's exactly half way out/in?
Interesting trick.
It won't. At F/16 or more you're more worried about diffraction.
The main thing the F/8 Nikon would give you is a little more coverage.
Does anyone know any rule for diffraction diameter? Is it related to mm diameter than F??
The F/stop. Depending on the light but roughly 1600/F stop is the max you can get. Then the lens etc come into play so you get lower then the max.
Dan Fromm;619912No one else can make Super Angulons. [B said:So give up that fantasy.[/B]
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The images you posted aren't useful for assessing your lens' performance.
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