Beautiful work in NG on Transylvannia Hay Country, thanks for the reminder....
^^^ Folks may not know how many art-directors call the shots. I have been hemmed in.
My personal story is I was sent off to a number of states with marching orders to photograph a project. I came back, was recognized by another AD, I was asked who worked with you on this. I responded that I was on my own. I was referred to another AD for similar project where I was hemmed in by and AD asking me to do the same spontaneous work.. ... where the AD had no clue on how to get spontaneous work. Anyway... that's my story.
Anyway... why am I at APUG? I still use film for some personal projects. I also use it now and then on commercial work when the opportunity presents it'self.
I also like the old cameras.. "clocks for seeing " as Barthes referred to them. I actually think my salvation may be making portraits on 8x10 film. I dunno... pixel pushing calling.
Do you know what film that is? I agree, beautiful. If Provia, I need to rethink my opinion of it. Or get a better handle on filters.
It's possible it is Provia if she is using a newer Rollei with modern coatings. Either way, it is likely filtered a tad warm via a filter or natural light, I would be doing the same with Provia. Also consider the light, light is everything in a photograph, it is likely the second biggest oversight I see in enthusiast work that is lacking, the first being composition and third being exposure...
An example would be you don't take Provia to NYC with all the blue, steel and grey buildings and expect the same warm bounce as Paris.
Do you know what film that is? I agree, beautiful. If Provia, I need to rethink my opinion of it. Or get a better handle on filters.
^^^ also before you go on about tones and what film she uses... all the work you have seen of hers is "offset and digitally printed" and thus someone at a pixel editor has had their hand in it...
Sure, but something about it strikes me as film. Don't hassle her, but if you do find out I'd be interested. After a couple of years of exclusively B&W I would like to work in color a bit. I have 35mm and MF projectors. Would like to shoot E6 if possible, but they keep taking away my films!
I know you know that.
Whatever it is, it looks good to me and I am curious what film it is, that's all.
In the mean time I will shoot as much E6 as possible.
Me too.......that's all I've used for well over 20+ years, and most of that was Velvia 50....
Cost to process is not bad and even the film is not horribly expensive.
Do you have access to buying in date Velvia 50 in 4x5? Just curious with all the various eBay vendors selling it, yet it is long gone now from every place except what appears to be possibly a very few Asian locales. I'm not even sure if this is true or if Fuji stopped the production entirely on that product.
Germany for about $120 per 20
Do you have access to buying in date Velvia 50 in 4x5? Just curious with all the various eBay vendors selling it, yet it is long gone now from every place except what appears to be possibly a very few Asian locales. I'm not even sure if this is true or if Fuji stopped the production entirely on that product.
Both in the new and old label (shorter expiry dates). The old label is significantly cheaper at around US$53 per box of 20. The new label is around US$81, same price as in Japan. But if you want to get it from there, you will need to find a middleman to ship it to you and they usually take 10% + shipping fees.
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