RattyMouse
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I'd be curious to know how many people use Fuji paper? That was the first paper I ever used when I started out ( I lived in Japan and they had floor to ceiling shelves full of the stuff and it was cheap), but soon moved on to Ilford and Forte papers.
I'd be curious to know how many people use Fuji paper?
I'd be curious to know how many people use Fuji paper?
@Andrew Does Fuji even make BW paper nowadays?
AFAIK Fujifilm has still two paper production factories: one in Japan, the other in Tilburg, Netherlands.
@Andrew: are you talking of B&W or color paper? Does Fuji even make BW paper nowadays?
Years ago, Fuji cancelled paper-base making in Tilburg. That was an early indicator of the changes in the RA-4 world.
Can I be honest and say I was shocked by the headline but then let out a sigh of relief when I saw that it's "only" for papers and not film? It's still not good news but double-digit price increases for large-format Velvia for example could have just killed it outright.
Here in Germany Fuji Provia 100F and Velvia 100 large-format films are significantly cheaper than Kodak Ektar and Portra large-format films.
I should have specified more clearly. Yes, Ektar is more expensive than Velvia/Provia 100 but Veliva 50 is almost twice as expensive per box of 20 than the other slide films, which makes it the most expensive per sheet of any film currently in production.
Until recently, I never knew fuji made B&W paper. Do they even make variable contrast paper?
Until recently, I never knew fuji made B&W paper. Do they even make variable contrast paper?
They make all kinds of black and white chemicals too. A shame it's all kept in Japan.
They make all kinds of black and white chemicals too. A shame it's all kept in Japan.
Why should they be more active in an extremely competitive niche market, which is for years absolutely oversaturated with a huge amount of different products and brands / competitors: Adox, Tetenal, Ilford, Kodak, Spur, Moersch, Bellini, Paterson, Bergger, ars-imago, Amaloco, Rollei-Film, Photographers Formulary, Foma, Calbe, Clayton, Edwal, Arista, Argenti....and some others.
There is nothing to win in such a competitor-flooded market environment in the western world.
Best regards,
Henning
How hard would it be to include a few pallets of developer?
Why should they be more active in an extremely competitive niche market, which is for years absolutely oversaturated with a huge amount of different products and brands / competitors: Adox, Tetenal, Ilford, Kodak, Spur, Moersch, Bellini, Paterson, Bergger, ars-imago, Amaloco, Rollei-Film, Photographers Formulary, Foma, Calbe, Clayton, Edwal, Arista, Argenti....and some others.
There is nothing to win in such a competitor-flooded market environment in the western world.
Best regards,
Henning
You should study the history of the industry.Fuji's experience with photo chemistry is simple worlds ahead of all of the above (except Kodak of course).
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