I...have no idea if any E6 is still being produced by Fuji.
Freestyle was started in 1946... so they first sold War Surplus film. they will gladly sniff out any film stock - particularly if they can get a good price on useable film. Look at the "Legacy Pro" which basically cleaned Fuji out of a Couple of Master rolls of Neopan. (I must have gone through over 200 rolls of that- as well as a few bulk rolls nicely put up on "Fuji Film" spools.Interesting Freestyle bothered to bring it in at all if they probably knew it wasn't going to be available soon afterwards.
The fact that Fuji is selling rebranded Kodak Gold:
1. Does not led me to think that they are going to restart their film line.
2. Fuji is using rebranded Kodak just keep their name in the market.
Freestyle started to bring in this film just last year, in both 24 and 36 rolls for 35mm. Im aware 24 rolls were discontinued from Fuji, but shouldn't there still be 36 listed? Its completely gone from Freestyles site and I dont know if its because its no longer made? Seems stupid to bring in a film for just 1 year and then stop. This is why sticking with well known films is better, as you will less likely run into having the film be no longer available so easily.
Anyone else try Fuji 100? I shot my first roll through my Olympus half frame. Results ok, with typical Fuji neutral/ cool tone coloring.
Needs a slightly different reversal in scans than other orange mask C-41. Lab profiles won’t cut it.
What's a "lab profile"?
I've shot it and scanned it on various scanners (even side-by-side with Fuji Superia X-tra 400) and noticed no oddities you describe. As easy to invert as any other C-41 masked film.
I shoot it occasionally, great film, but I see no meaningful advantage over Fuji C200 or Fuji X-tra 400 except the obvious things - it's slower and awfully expensive in Europe (the former nor the latter not necessarily being an advantage for me).
Which one is showing maroon reds and blue cast? Both are properly inverted and there are absolutely no tweaks to individual colours. One is Fuji 100, the other Fuji Superia X-tra 400. BTW, starting points at RA-4 printing are so close that I didn't bother to write down numbers for Fuji 100, they are a couple of points apart...It has a tendency to go maroon in the reds and with a somewhat bluish cast if not compensated.
Lab profiles is just ready baked profiles, as what would come with Frontier or Vuescan.
It has significantly less grain than either C200 or the two remaining 400 C-41 emulsions.
It’s also a bit sharper with better micro contrast.
It’s probably the best 135 100 C-41 film sold.
I’m no really sure about your reversal. ThereWhich one is showing maroon reds and blue cast? Both are properly inverted and there are absolutely no tweaks to individual colours. One is Fuji 100, the other Fuji Superia X-tra 400. BTW, starting points at RA-4 printing are so close that I didn't bother to write down numbers for Fuji 100, they are a couple of points apart...
Frontiers have no trouble scanning Fuji 100. Nor do Noritsus.
Mentioning Vuescan and film profiles in the same sentence is just ridiculous.
Herre is Noritsu LS-600 (with probably very little if any corrections as I do the scan just to have a quick "index scan" for archive). Again, on which film do you think "baked" profile doesn't work well?
Yes, Fuji 100 has less grain than X-tra 400, but I wonder who will notice that in real life? 200% unsharpened scan on a real 5000+dpi scanner:
Again, it's a great film, but if you can get Fuji X-tra 400 3pack for the price of a single Fuji 100 you are saving a lot of money and not getting worse results in most of the applications.
I never had any problem with the Fuji color negative films. I found them to be quite good.
Which one is showing maroon reds and blue cast? Both are properly inverted and there are absolutely no tweaks to individual colours. One is Fuji 100, the other Fuji Superia X-tra 400. BTW, starting points at RA-4 printing are so close that I didn't bother to write down numbers for Fuji 100, they are a couple of points apart...
Frontiers have no trouble scanning Fuji 100. Nor do Noritsus.
Mentioning Vuescan and film profiles in the same sentence is just ridiculous.
Herre is Noritsu LS-600 (with probably very little if any corrections as I do the scan just to have a quick "index scan" for archive). Again, on which film do you think "baked" profile doesn't work well?
Yes, Fuji 100 has less grain than X-tra 400, but I wonder who will notice that in real life? 200% unsharpened scan on a real 5000+dpi scanner:
Again, it's a great film, but if you can get Fuji X-tra 400 3pack for the price of a single Fuji 100 you are saving a lot of money and not getting worse results in most of the applications.
Which one is showing maroon reds and blue cast? Both are properly inverted and there are absolutely no tweaks to individual colours. One is Fuji 100, the other Fuji Superia X-tra 400. BTW, starting points at RA-4 printing are so close that I didn't bother to write down numbers for Fuji 100, they are a couple of points apart...
Frontiers have no trouble scanning Fuji 100. Nor do Noritsus.
Mentioning Vuescan and film profiles in the same sentence is just ridiculous.
Herre is Noritsu LS-600 (with probably very little if any corrections as I do the scan just to have a quick "index scan" for archive). Again, on which film do you think "baked" profile doesn't work well?
Yes, Fuji 100 has less grain than X-tra 400, but I wonder who will notice that in real life? 200% unsharpened scan on a real 5000+dpi scanner:
Again, it's a great film, but if you can get Fuji X-tra 400 3pack for the price of a single Fuji 100 you are saving a lot of money and not getting worse results in most of the applications.
is different geographic localities have different light and colors.
One thing I’ve noticed in my early travels, and nowadays with the internet, is different geographic localities have different light and colors. Fuji might be better in Kyoto or London and Kodak might be better in San Diego or Hawaii. I like Fuji fine but Kodak colors always worked better for my part of the world.
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