I shoot A LOT of B&W films, mostly in 4x5 and 8x10. Any case, digital monochrome can give clean results at ISO3200 ISP6400. I would have loved to have that.
Although not Fuji my old Pentax K200 has a black and white mode that does pretty good, I can adjust in post as needed, dont think I would ever pay the extra for a mono only body.
Part of me says a sliding filter in the camera body with a bayer grid on it can't be that tough, so why not build a camera that can be either color or true monochrome?
Part of me understand how tough it is, and points at myself and laughs.
Part of me says a sliding filter in the camera body with a bayer grid on it can't be that tough, so why not build a camera that can be either color or true monochrome?
Part of me understand how tough it is, and points at myself and laughs.
And then the lunatic part of my brain suggests a modular approach, with sensors you can swap in and out easily. And that's when I know I'm short on sleep.
The advantage of a dedicated monochrome sensor is all the pixels are monochrome, giving better detail and speed. However, I have not been disappointed shooting the Fuji in RAW (+jpeg for quick review) and converting to B&W in photoshop with SilverEfex Pro.
One advantage of shooting digital mono on mirrorless cameras, is you can see in black and white through the viewfinder. You can even view at set contrast and sharpness levels. Those who shoot B&W exclusively, like people who never shoot video, or want to shoot with a rangefinder, will pay a premium over those who accept whatever hard and software fits everyman. I have yet to see digital output that really looks like film SOOC, but we live in hope.
There's enough interest that Leica has a somewhat overpriced Monochrome line. Much like the "Astronomy" models that Canon occasionally releases, the difference is largely down to what filters are in place on the CMOS sensor, and what software is loaded.
One advantage of shooting digital mono on mirrorless cameras, is you can see in black and white through the viewfinder. You can even view at set contrast and sharpness levels. Those who shoot B&W exclusively, like people who never shoot video, or want to shoot with a rangefinder, will pay a premium over those who accept whatever hard and software fits everyman. I have yet to see digital output that really looks like film SOOC, but we live in hope.
I have an Xpro3 it's a great little camera. I bought several of the little primes, to hell with Leica. I have a Leica M6ttl and 3 Summicron primes. Mostly sits and looks good.
I want Fuji to make a XPan Xpro. A bonafide wide field digital camera. Super wide lenses, 3 lenses would be enough. That would be awesome.