Henning Serger
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Higher costs are inevitable, but the "trimming its product lineup" part worries me.Nakajima said that the company will be required to take measures in the future to improve the profitability of the photo film business, including trimming its product lineup and passing higher costs onto customers.
I think at this point I'd like to see Fujifilm sell the film business......
Let it run as an independent business, same for Kodak.
I'm filing this with the bubbly interviews with ex-Kodak US marketing manager for professional film, Scott Disabato, who was talking about a "very real resurgence in film" in 2010 and as late as 2011 on the eve of the 1/2012 bad news.
Let's see where we stand Q3-Q4.
It's Q3 now, almost 6 months after Kodak filed for ch11, and they still coat film! Yes, they did discontinue their comparatively tiny E6 lines (which weren't their main focus anyway), but even under intense financial pressure they hold on to their coating lines. Think about this ....
At Fujifilm, photo films accounted for less than 1 percent of the company's total sales in fiscal 2011, down from 19 percent in fiscal 2000.
Hello dear film friends,
just as an information (and without comment):
http://www.japantimes.co.jp/text/nb20120720a5.html#.UAmKn6CT9ju
Best regards,
Henning
Here's the correct link: http://www.bjp-online.com/british-j.../fujifilm-discontinues-two-professional-films
Fuji discontinued Velvia 50 in 4x5 and 8x10 and Velvia 100F in all formats just a few days ago.
I wonder at what point was film less than 50% of their gross sales.
Doesnt Fujifilm have a glaring hole in it's film product line?
There is no Ektar type print film in their line. All they have are low contrast portrait color print films.
No, rather than Kodak and Fujifilm competing, Kodak concentrated on color print film and ceeded to Fujifilm on slides. Each concentrated on what they did the best.
Then we shoot B&W. And when B&W film is gone, we coat and shoot glass plate.
Or maybe an Impossible-like project will come along, we could be part of it, and we'll make and sell some crappy approximation of today's decent film that we'll nevertheless be happy to shoot, hipster like, but better than nothing. Until we die. And who cares beyond that?
I don't know. I doubt it will work out. I love instant film but the Impossible Projects imitations are practically worthless to me. I don't know of any serious photographer who would even consider using it. You'd need a product of at least comparable quality.
That's all fine and great....until we lose Kodak. Then what?
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