That's what I've been thinking. Just don't have my 126 cameras at my place and I'm not sure what to shoot right now.you already bought 'em....why not give 'em a try ?
That's what I've been thinking. Just don't have my 126 cameras at my place and I'm not sure what to shoot right now.
I've done a few archaic 110 kodak golds I have no idea how old they were and gotten results.
as mentioned above- two in 88 and one in 89. I'm sure my camera shop would be willing to return the cassette and paper if I asked.If you process your own color be sure to take care taking the cassette so you can reload it. Finding a color lab that will take the time and effort to save the cassette? Any idea how out dated the the film is?
...I strongly recommend that you not load the 126 film cartridges into the 110 cameras. Stick with using 126 cameras for those films.
And...I'd love those just to reload with 35mm.
And...
I have a found (aka not shot by me) kodachrome x 126 cassette I'd like to process in caffenol soon, so one my empty cassette for me assuming it doesn't break.
I'm pretty sure I saw that video two years ago when I found a 126 verichrome pan and didn't know how to open the cartridge- and this is where I got my breaking concern from.IMHO the best explanations on how to open and reload a 126 cartridge. However, those Kodacolors might not cooperate, just keep rocking until something cracks.
Note: You can use Crazy Glue if it doesn’t break clean.
First one is loaded. Just need some time and a bright day.
a rainstorm was rolling in, so I didn't have the light to take it out and I work weekends, so when, I don't know.How did it go? The 2nd time is easier, on the 3rd time you'll feel like a pro.
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