They have been for years now, but apart from a fairly hopeful teaser a few years ago, it's been very silent surrounding this endeavor. It seems there would certainly be quite some demand for a modern version of this paper.The good news is Adox/Fotoimpex are still working on re-introducing Polywarmtone but it's not one of their priorities at the moment.
They have been for years now, but apart from a fairly hopeful teaser a few years ago, it's been very silent surrounding this endeavor. It seems there would certainly be quite some demand for a modern version of this paper.
Ian -
I looked through your APUG Portfolio.
I have a great appreciation for trains; they can really be a photographers dream. Those frames from the locomotive shops are fantastic.!
I realize i am looking at a computer screen, but...what kind of paper were those printed on.? Do you remember.?
Thank You
OK...lots to read there. Thanks
Yes, my intuitive foresight (creating the OP) was remarkable.Ian and KPA, that is great news! Quite a coincidence that this emerged just now. I'll certainly order some when it hits the shelves.
While I hope I'm wrong, based on progress so far I'm guessing it will still be at least a few years before it ever hits the shelves again. I'm glad there has been recent work on it again.
Like others said, the flexibility of the emulsion was wonderful. It was capable of a great variety of tones. I tested most or all warmtone paper available during its last days and didnt find another that came close. Naturally, they folded as soon as I fell in love with it, and naturally I didn't have the cash to buy a large stash.
Very nice. There's folks out there that will be asking for CibachromeIt won´t take this long. The photography (curves, tonality) is OK. We still have some minor coating issues but I am pretty certain that, unless the coater in Marly breaks down on us and causes a delay, we are rather talking months than years.
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Here´s our "famous" test image printed on the recent coating (which means ready to produce) paper.
The stripe in the middle is genuine PW from Forte. It is a tiny bit less sensitive than our PW II but all the rest is right on target. Exposed and developed identically. Grade 2, Neutol WA.
Don´t look at the dust- we don´t care for this in test images.
The white stripe on the top is the coating border as seen in the Youtube video about the first layer build up.
View attachment 216655
Better be careful - that could be construed as a binding offerA nice G surface like Kodak Ektalure and I will take a couple million sq. meters.
Oh, I'm good for it. Of course Americans are woefully ignorant oder SI unitsBetter be careful - that could be construed as a binding offer.
Oh, I'm good for it. Of course Americans are woefully ignorant oder SI units
Whoa Nellie, I thought it was only 155,000 . I'm going to need to review my calculations. I think when I converted from acre-foot to gallon I misplaced my decimalsA couple million square meters would be 155,000,000 4x5's.
We woulkd not be capable of manufacturing this amount in the current setup......Better be careful - that could be construed as a binding offer.
It won´t take this long. The photography (curves, tonality) is OK. We still have some minor coating issues but I am pretty certain that, unless the coater in Marly breaks down on us and causes a delay, we are rather talking months than years.
Check out the blog from now on or sign up for our newsletter.
Here´s our "famous" test image printed on the recent coating (which means ready to produce) paper.
The stripe in the middle is genuine PW from Forte. It is a tiny bit less sensitive than our PW II but all the rest is right on target. Exposed and developed identically. Grade 2, Neutol WA.
Don´t look at the dust- we don´t care for this in test images.
The white stripe on the top is the coating border as seen in the Youtube video about the first layer build up.
View attachment 216655
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