Consider a little bit different agitation "path" so that you are adding a little bit of a twist. Keeps the chems from flowing back and forth over the same path every time. A little roll of the wrist might help. Also, after the agitation cycle I rap the side with my free hand (heel of the palm) and set the tank down rather sharply. This should flick any bubbles off the film and up to the top of the fluid level (above the film).
Another method that is illustrated (but I've never tried it) in the Kodak Darkroom Handbook is a flat figure-eight. You have your tank sitting on a large surface, grip firmly palm down over the lid and swing the tank through a figure eight as it slides on the table top (sink bottom). One figure eight equals one inversion and at the end of every cycle, rotate the tank slightly so the angle of attack relative to the chemistry changes each time. Takes longer to explain than to do. But like I said, never tried this one. I either roll my wrist or am using a Jobo CCP.