yes, its 120.If this is the 120 format film: yes, it's a well known issue. I've had it as well and have since refrained from using this film in 120. It's great in 4x5 and probably 135 as well.
That's what I did back when I ran into this issue. They requested the physical negatives exhibiting the problem, which I sent them. After a while they kindly informed me that the problem was indeed in the film. They replaced the film I had purchased at no cost. It exhibited the exact same problems. That's when I gave up on this film in 120, but I still like it in 4x5.Get in touch with Foma. Send them your picture.
Yeah, when you are wary of the quality time to change. I'm using more Foma fiber base paper. The Fomatone MG is amazing. I tend towards Kodak and Ilford for film.That's what I did back when I ran into this issue. They requested the physical negatives exhibiting the problem, which I sent them. After a while they kindly informed me that the problem was indeed in the film. They replaced the film I had purchased at no cost. It exhibited the exact same problems. That's when I gave up on this film in 120, but I still like it in 4x5.
Yeah, it's unfortunately just not a feasible option in 120 format. I didn't have problems with it in 4x5 (but haven't used it much). I may give it a go in 135 one day.it's still a problem.
It's a pity because I do consider Fomapan 200/120 a great film, with an extended greyscale in the shadows and a reasonable price.Yeah, it's unfortunately just not a feasible option in 120 format. I didn't have problems with it in 4x5 (but haven't used it much). I may give it a go in 135 one day.
I like it, too! But what do you mean by "extended greyscale in in the shadows"? That the curve doesn't flatten off, i.e. short toe? How far things extend into the shadows is measured in the ISO sensitivity, no? And in the case of Fomapan 200, that's only in some speed enhancing devs, otherwise I'd say the greyscale in the shadows is shorter than indicated.It's a pity because I do consider Fomapan 200/120 a great film, with an extended greyscale in the shadows and a reasonable price.
Yes, that's what I meant: in my printing chain and @100iso, Fomapan 200 gives contrasted shadows rich of details.I like it, too! But what do you mean by "extended greyscale in in the shadows"? That the curve doesn't flatten off, i.e. short toe?
I do think Fomapan 400 (@160 iso in my chain with D76 1+1) is only a good film but not so exciting. But this is only my opinion.It is indeed a very interesting emulsion when coated well. Effective speed is 125-160 but not 200. So I wouldn't speak of extended shadow range; like in many films, it's nore the opposite. But not as pronounced as eg foma 400.
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