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- Nov 4, 2005
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Ansel Adams, in his book "The Negative" talks about "filmbase-plus-fog level" going up with a certain developing procedure, but he goes on to say that this (the fog) "is simply 'printed through' to achieve the desired black values in the print." But what are the advantages and disadvantages of "printing through" a negative with elevated fog?? Does fog affect contrast in any way?
