Focusing in v low light (or candle-lit) situations.

Junkyard

D
Junkyard

  • 1
  • 2
  • 53
Double exposure.jpg

H
Double exposure.jpg

  • 5
  • 3
  • 179
RIP

D
RIP

  • 0
  • 2
  • 216
Sonatas XII-28 (Homes)

A
Sonatas XII-28 (Homes)

  • 1
  • 2
  • 195
Street with Construction

H
Street with Construction

  • 1
  • 0
  • 186

Recent Classifieds

Forum statistics

Threads
199,338
Messages
2,789,911
Members
99,877
Latest member
Duggbug
Recent bookmarks
0

analoguey

Member
Joined
Jul 24, 2013
Messages
1,103
Location
Bangalore, I
Format
Multi Format
I was at an event yesterday where the power dropped abruptly, which meant little light - and that just wasnt useful for manual focusing.
My auto-focus Nikon-nikkors were spot on because of the af-beam.

Given that af-beams are what - a 90s invention(?) - I wonder what people did earlier to that?

Or what is suggested with a manual camera/lens? (RF system? Leicas?) the lens I couldn't focus with was a nikkor 135-2.8 AIS.




Sent from Tap-a-talk
 

summicron1

Subscriber
Joined
Jul 28, 2010
Messages
2,920
Location
Ogden, Utah
Format
Multi Format
dim light is where leica rangefinders, but also any rangefinder with a good optical makeup, comes into its own. If you can see any edge, of anything, you can focus on it.

people with SLRs, or glass back focus cameras, just got very good by being very careful.
 
OP
OP
analoguey

analoguey

Member
Joined
Jul 24, 2013
Messages
1,103
Location
Bangalore, I
Format
Multi Format
By dim light would you mean say a room full of people with a couple of candles /small torches? Or something more akin to shadowy streetlight?

I'm assuming you mean something like the Leica Ms and not the earlier ones -or do you mean both?

Sent from Tap-a-talk
 

pentaxuser

Member
Joined
May 9, 2005
Messages
20,041
Location
Daventry, No
Format
35mm
If the subject(s) was/were relatively close and needed a large aperture because of poor light so little DoF then I suspect that some photographers just got very good at estimating distance and setting the lens to that distance.

pentaxuser
 

snapguy

Member
Joined
Jan 1, 2014
Messages
1,287
Location
California d
Format
35mm
big time

I knew a big city newspaper chief photographer who used to make sure his photogs could focus by just looking at the scene. If a newbie came into his office with a Speed Graphic with a Kalart rangefinder attached, he would bust the rangefinder so the new kid had to learn how to guess focus. I thought it was dumb. In the old, old days, taking a photo was an event. No quick snap and away you go. A pro might well put the camera on a tripod and get out his yardstick and measure the distance. Or guess the distance. You can get good at anything if you do it enough times. A lot of old tyme photogs never carried a light meter, either. They knew what the needed exposure was. And cleaned their lens with the tip of their tie. They wore suits and ties in those days.
 

RalphLambrecht

Subscriber
Joined
Sep 19, 2003
Messages
14,667
Location
K,Germany
Format
Medium Format
I was at an event yesterday where the power dropped abruptly, which meant little light - and that just wasnt useful for manual focusing.
My auto-focus Nikon-nikkors were spot on because of the af-beam.

Given that af-beams are what - a 90s invention(?) - I wonder what people did earlier to that?

Or what is suggested with a manual camera/lens? (RF system? Leicas?) the lens I couldn't focus with was a nikkor 135-2.8 AIS.




Sent from Tap-a-talk

I carry two small mag flash lights (AAA)in my camera bag for this just in case.after you take thr frontpiece of them off,I stand them up like a candleand mark the desired DOF with hem.This wat, they become easy to focus onand I can simply determine the aperture reuired for my desired DOF.the subject focuswll be someewhere in between the two. I oftn leave hem in the picture to check focus accuracy.It's a little trick I learned from my Dad.:wink:
 
OP
OP
analoguey

analoguey

Member
Joined
Jul 24, 2013
Messages
1,103
Location
Bangalore, I
Format
Multi Format
I knew a big city newspaper chief photographer who used to make sure his photogs could focus by just looking at the scene. If a newbie came into his office with a Speed Graphic with a Kalart rangefinder attached, he would bust the rangefinder so the new kid had to learn how to guess focus. I thought it was dumb. In the old, old days, taking a photo was an event. No quick snap and away you go. A pro might well put the camera on a tripod and get out his yardstick and measure the distance. Or guess the distance. You can get good at anything if you do it enough times. A lot of old tyme photogs never carried a light meter, either. They knew what the needed exposure was. And cleaned their lens with the tip of their tie. They wore suits and ties in those days.

Oh head-desk!
I should have thought of range-focusing. Damn! I was doing that all week in the daytime, damn. (Although with the 135, it is 2 full turns from infinity to nearest distance...


I carry two small mag flash lights (AAA)in my camera bag for this just in case.after you take thr frontpiece of them off,I stand them up like a candleand mark the desired DOF with hem.This wat, they become easy to focus onand I can simply determine the aperture reuired for my desired DOF.the subject focuswll be someewhere in between the two. I oftn leave hem in the picture to check focus accuracy.It's a little trick I learned from my Dad.:wink:

That is an idea. Bounce the torch off the wall - you mean, right?
And something like f8 and shoot?
 

Bill Burk

Subscriber
Joined
Feb 9, 2010
Messages
9,334
Format
4x5 Format
My best available light photographs were taken by candle-light. The candle is pretty easy to focus on.
 

bvy

Member
Joined
Jul 22, 2009
Messages
3,285
Location
Pittsburgh
Format
Multi Format
I knew a big city newspaper chief photographer who used to make sure his photogs could focus by just looking at the scene. If a newbie came into his office with a Speed Graphic with a Kalart rangefinder attached, he would bust the rangefinder so the new kid had to learn how to guess focus. I thought it was dumb. In the old, old days, taking a photo was an event. No quick snap and away you go. A pro might well put the camera on a tripod and get out his yardstick and measure the distance. Or guess the distance. You can get good at anything if you do it enough times. A lot of old tyme photogs never carried a light meter, either. They knew what the needed exposure was. And cleaned their lens with the tip of their tie. They wore suits and ties in those days.

Great anecdote.
 

Mr Bill

Member
Joined
Aug 22, 2006
Messages
1,486
Format
Multi Format
I was at an event yesterday where the power dropped abruptly, which meant little light - and that just wasnt useful for manual focusing.

...
Given that af-beams are what - a 90s invention(?) - I wonder what people did earlier to that?


I started photography pretty young, learning from my father who was an amateur with a makeshift darkroom. In the late 1950's, I learned how to use flashbulbs, which was about the only way to shoot "events" in near-darkness.

Something not mentioned yet is that proper flash exposure requires you to predetermine the distance. You divide the flash guide number by distance to get the f-number, and since the desired distance is now established, you can preset the focus to that distance.

All you have to do now is to get yourself to the proper distance, which you would generally estimate. As a couple of people mentioned, you can get fairly good with practice. Also, use of flashbulbs means the lens is stopped down a good amount, so whatever distance error you have is probably covered by depth of field.

If there is enough light, and if you are so inclined, you can improve the focus; a rangefinder is better when right at the threshold of enough light. Another trick is to find something bright at about the same distance as the subject, and use that to focus on. Or, if the bright object is a bit closer, focus on it and then step a similar distance closer to the subject.

I started shooting weddings in the late 1960's, using a Rolleiflex with manual electronic flash. I learned a few methods (tricks) such that it was no problem to go on a dim dance floor - so dim it would be difficult to even see through the viewfinder of a modern (D)SLR - and get well-exposed shots sharp enough for a large album page.
 

ic-racer

Member
Joined
Feb 25, 2007
Messages
16,582
Location
USA
Format
Multi Format
If it is to dim to focus, then your not going to be doing film photogaphy unless you have a flashbulb. In that case, Kalt had a focus mechanism using a light. For small format film, zone focus at a reasonable aperture was usually was fine because flashbulbs can be bright.
 
OP
OP
analoguey

analoguey

Member
Joined
Jul 24, 2013
Messages
1,103
Location
Bangalore, I
Format
Multi Format
Just to clarify - not asking about 'shooting in low-light' as much as 'focusing in low-light'.
I do and was using pair of speedlights - key + fill (so my exposures were more towards f8)

Sent from Tap-a-talk
 
OP
OP
analoguey

analoguey

Member
Joined
Jul 24, 2013
Messages
1,103
Location
Bangalore, I
Format
Multi Format
I started photography pretty young, learning from my father who was an amateur with a makeshift darkroom. In the late 1950's, I learned how to use flashbulbs, which was about the only way to shoot "events" in near-darkness.

Something not mentioned yet is that proper flash exposure requires you to predetermine the distance. You divide the flash guide number by distance to get the f-number, and since the desired distance is now established, you can preset the focus to that distance.

All you have to do now is to get yourself to the proper distance, which you would generally estimate. As a couple of people mentioned, you can get fairly good with practice. Also, use of flashbulbs means the lens is stopped down a good amount, so whatever distance error you have is probably covered by depth of field.

If there is enough light, and if you are so inclined, you can improve the focus; a rangefinder is better when right at the threshold of enough light. Another trick is to find something bright at about the same distance as the subject, and use that to focus on. Or, if the bright object is a bit closer, focus on it and then step a similar distance closer to the subject.

I started shooting weddings in the late 1960's, using a Rolleiflex with manual electronic flash. I learned a few methods (tricks) such that it was no problem to go on a dim dance floor - so dim it would be difficult to even see through the viewfinder of a modern (D)SLR - and get well-exposed shots sharp enough for a large album page.

Thank you - I think you summed up my situation better than I had!
And those are some quite useful tips!

If you got onto the dance floor would you be bouncing the flash usually(and go with the range-focus you mentioned above)?

Sent from Tap-a-talk
 

John Koehrer

Subscriber
Joined
Apr 3, 2004
Messages
8,277
Location
Aurora, Il
Format
Multi Format
That is an idea. Bounce the torch off the wall - you mean, right?
And something like f8 and shoot?


No. When you remove the front of a Maglite, it just takes the reflector off and totally exposes the bulb.
 

pentaxuser

Member
Joined
May 9, 2005
Messages
20,041
Location
Daventry, No
Format
35mm
I'll bet the old pressmen after taking hundreds of pictures between a fairly narrow range of distances were able to estimate distance to within a few inches. Maybe they held distance rating exercises to hone their skill. That's how industrial engineers( time and motion study men) perfected their speed rating of assembly-line operators so that they could all adjust for the correct normal time even when an operator's motion speed varied across the different parts of the whole assembly.

Stand for several hours by the side of the road and estimate vehicle speeds and after estimating, have the correct radar gun speed given to you. I'll bet that after several hours you will be accurate to within a few miles per hour

pentaxuser
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom