Couldn't agree more! The key being that, over time, we get the best out of these lenses. That's not a quick fix because so many parameters play. I won't dispute that later lenses tend to be sharper. But they also give more contrast which, subjectively, adds to the sharpness as well.
For instance, I love the Focotar-2 50mm because it opens up the image so easily. However, for negatives with a lot of contrast I often switch to a Meopta Meogon 50/5,6. That one inflicts a certain quiet on the image, which could well match what you get from your 2A's 50/95 Focotar pair.