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I wouldn't mess with anything until you have the new bulbs and power the machine up. Here'a a pdf set-up guide for the V35:
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Thank you John for confirming. I was also able to reach out to another member earlier who confirmed the same, so at this point just waiting for bulbs so I can test.The lens should travel up & down as you raise & lower the head. The Lens mounts adjust if you need to readjust the AF mechanism.
Hi Everyone,
I have just purchased a Focomat v35 with the Focotar 40mm and a two week return window, and trying to figure out if it's a keeper or a dud. Any feedback from v35 owners would be greatly appreciated!...
Let's hope that the model you've purchased has the later lamp holder fitted. An incomplete V35 that I purchased for spares was the original first version, and I'm still working on the lamp-holder so that it will take the current lamp.
(If necessary, I can advise on reassembling the 40mm WA Focotar...! )
Interesting, I thought the auto focus is rock solid on these enlargers, but never actually used one. The only one I have used was the beseler 23iiicxl over a decade ago.I had to get the new lamp housing for mine. It took a long time to get and I bought a Sanders 4x5 enlarger while waiting. Haven't fired the Leitz up yet.
Just so you know I don't find the AF super accurate. Not on the unit I own or when we used them at newspapers, they got you close but if printing a final print I would check the focus.
... Anyone has tried to take the lens housing apart to try to fix this?
Sadly, yes ! Being a retired engineer, I'm often over confident with my assumptions of what the designer intended.
Starting 15 months ago, I've acquired 3 used V35s and the first one had been meddled with before my ownership, and I certainly knew less than what was necessary. The WA Focotar's image was poor. At first I thought it was merely an AF problem, so set about investigating the circular lens mount area. I managed to get the lower helical screw free from the fixed part mounted to the negative support area, and I could then see the baffles etc. below the negative stage. Could I then get the lower helical back into the fixed helical? No! I struggled for two days with no success, and then remembered that aluminium has a high coefficient of expansion. I froze the lower and inner helical, and it screwed back into the upper as sweet as could be. Somewhere in this period I lost the ball bearing, and although I've bought replacements, I haven't managed to reassemble. (I didn't lose the minute spring.)
I bought a 40mm F/4 WA Rodagon lens and that gave a decent image, so what was wrong with the supplied Focotar? Looking at the end of the lens closer to the negative (i.e. that normally hidden from view) I noticed that the paint showed slight signs of "wear", and unscrewing this lens element retaining collar was easy. Two elements came out. Reassembly was easy, but the image was still poor. Referral to Leitz lens diagrams for the lens showed that the elements were not symmetrical, so I tried reassembling exactly as shown by Leitz. First impressions were that this was impossible. The elements would go in, but the retaining ring wouldn't engage with the threads. Check with other lens schematics for the lens, and they all showed the same assembly. So another try, and gentle tapping of the lens before engaging the elements retaining ring and I was able to tighten the ring. The WA Focotar was now a sharp lens, and the AF worked. At some time during this period (just in case!) I bought another WA 40mm F/2.8 Focotar, and that performs similarly to the one I reassembled.
Both WA Focotars seem to contain small specks of dust close to the aperture diaphragm, whereas the WA Rodagon is perfectly clean, like my other enlarging lenses.
For the record, numbered in order of my purchase: - all have the original lamp-house
V35 #1 Colour module, black lamp-house font. Oversized negative holder for black print surrounds. AF detent ball missing.
Current lamp socket swapped with original lamp socket from #3. I'm currently modifying this original lamp socket to take modern lamps which have a larger diameter - so Work-in-Progress. (Not quite sure how best to retain the lamp, but I have some ideas.)
V35 #2 Multigrade module, grey lamp-house font. Std 35mm negative holder.
V35 #3 Colour module, black lamp-house font. Std 35mm negative holder.
#3 was bought very cheaply as it was incomplete, but at least the AF area worked. The colour module for it was bought off ebay, and on assembly into #3, it jammed. Some gentle bending soon had it working smoothly, and I then realised that other modules had a tendency to jam when the filters were adjusted, so I eased these. I was surprised at how soft the aluminium sheet was, but then they're all around 40 years old.
One day I must finish the meddling and do some printing!
The click is just a setting to set a correct start point for a given lens. If you were to change lenses you'ld adjust it then set the reference click thing.
In "Leica Darkroom Practice" by Rudolph Seck, (Hove Books, 1983 - worth getting a copy) on p44, Seck writes:Thanks John. I’m not sure I fully follow.. could you elaborate a bit more? So the click stop is some type of memory device for the correct focus point for a given lens or easel combination?...
My 2¢ about V35:
I print full frame with black edges, I needed to file the original negative holder to make is bigger than exact 24x36mm.
At first I was disappointed with lack of contrast from V35 in comparison with my previous condenser enlargers - but after some time I have noticed that it is actually better, and giving more details and more pleasing prints.
Substitute bulb is not so bright as original - but this is not so important, little longer exposure time does not hurt.
Here is the test (on fixed grade 2 Fotokemika Emaks FB paper):
Magnifax + nikkor:
https://darkosaric.deviantart.com/art/el-nikkor-magnifax-test-339814179
https://darkosaric.deviantart.com/art/el-nikkor-magnifax-detail-339814256
V35 and Focotar:
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The click isn't required. The helical isn't loose but it just provides an easily found reference if for some reason you adjust the lens.
Like Malcolm quoted "The autofocus adjustment set at the factory is secured by a stop on the helical focusing mount. For manual focusing, such as for work outside the autofocus range or for the enlarging of framed slides, the helical mount can be disengaged from the stop. When, after such tasks, the enlarger is to be used again in the autofocus mode, the helical mount is returned again to the stop position, the autofocus mechanism will then be re-engaged."
I hope this helps explain what the stop is trying to do. In a busy darkroom it should speed up work when going back to the optimum focus position.
RE: filing edges. Leica also made a mask that would let you print with the borders. Like many things Leica that's IF you can find one.
...
Long story short, I think I'll just use the enlarger as a manual focus enlarger and forgo the auto focus bit. Thank you everyone for your input!
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