If you haven't already done this, having the wall, or a board, behind the enlarger painted black usually helps and rather than cover the head (a 'skirt' of black felt around the negative stage should help alot) and/or prop another black board between the enlarger and processing area and only have the enlarger on when focussing on the easel, not on the paper with the red filter in place. Never having had a B-22, I've never had an enlarger with serious enough light leaks to cause fogging provided the rear surface is black.
Regards, Mark.