Sorry , I mean you will have to establish a grade five for the shadows and blacks, usually the exact same time as the 0 exposure (100% blast)
I use the filter closer to the lens and like Lee mentions moves it continually.
Also unrelated, but in Lith printing I will make a main exposure, then crinkle up tissue paper and lay it directly on the paper and easel and with a big ass dodging tools hold back key areas and blast the crap out of the print.
you get the texture of the paper or the creases and it really is beautiful.
Bob, what do you mean by 100% blast?
What I understand is that you want me to establish the highlight first using #0 filter and defuse to soften the skin. Then lay down shadows using #5.... right?
I think, the placement of the stocking affects the amount of diffusion. Do this close to the lens or really stretch it and do it close to the print?