• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Fixing Film v Fixing Paper

Filling In

H
Filling In

  • 1
  • 2
  • 21
Painted Hills # 3.jpg

H
Painted Hills # 3.jpg

  • 4
  • 0
  • 74

Recent Classifieds

Forum statistics

Threads
203,208
Messages
2,851,381
Members
101,721
Latest member
rptn
Recent bookmarks
0

Martin Aislabie

Subscriber
Allowing Ads
Joined
Nov 17, 2007
Messages
1,413
Location
Stratford-up
Format
4x5 Format
I have a question, which struck me yesterday as I printed.

When you Film, in the early stages of fixing the emulsion takes on a milky appearance before clearing

When you fix Paper, I have never seen the paper emulsion take on a milky appearance

Anyone know why this is the case :confused:

Thanks

Martin
 
What Bob said, also, some papers do exhibit a change while fixing, if you watch closely. I have used some which "cleared" noticeably in the past (an Eastern Euro paper, don't remember the brand, was the most obvious), and I could see somewhat a change as my old favorite, Forte MG Fiber cleared in TF4. Ilford MG doesn't show a change, that I can see under red lights.
I haven't compared closely, but I think the Ilford MG does look slightly cleaner, though, under white viewing light, if soaked in water for a minute or so after fixer, rather than taken straight from the fixer to viewing, as if final remains are cleared out by the water.
 
If you'd used Kentint or the Tura B&W papers which were on on a coloured/metallic bases then you'd have seen clearly that all emulsions have that milky look, it's the undeveloped silver halides.

Ian
 
Papers do show this. It seems like lithable papers show it more; it is something that you have to account for when doing lith printing. That is, you can see the image change in the fixer, and it may, or may not, be what you wanted when you snatched the print from the developer.
 
Papers do show this. It seems like lithable papers show it more; it is something that you have to account for when doing lith printing. That is, you can see the image change in the fixer, and it may, or may not, be what you wanted when you snatched the print from the developer.
 
If you'd used Kentint or the Tura B&W papers which were on on a coloured/metallic bases then you'd have seen clearly that all emulsions have that milky look, it's the undeveloped silver halides.

Ian

I had forgotten about those Kentmere papers with a coloured base :smile:

They did a silver base and others but cannot remember what they were

One of my freinds at Uni was quite "into" them

Seems a long time ago

Martin
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom