Just developed some 220 FN-64 in Rodinol because I’m running out of HC-110 and holy cow, I’m stunned! I was expecting to get a crunchy high contrast negative, however when I pulled the film out the contrast actually looked very nice, and I can’t see any grain whatsoever even when looking through a magnifying glass. I really wish I could scan these properly because I don’t think my DSLR scanning will do this any kind of justice. Kinda a silly thread for now since the film isn’t even dry yet, but I just wanted to post since I was so surprised!
Could you please share your dilution and developing time? Do you know what film is this FN-64?Just developed some 220 FN-64 in Rodinol
Do you mean Technical Pan? At what temperature are you developing? How is the contrast compared to POTA or compensating developers like Barry Thorntons'?I found it fantastic at 1:300 for Kodak Pan at 12 minutes
Could you please share your dilution and developing time? Do you know what film is this FN-64?
Try to get you hands on agfa apx 25, grain, what grain...
Never heard of mz3, so I checked it out.
The film photography project site examples are very soft focus(the brick seams in the house are anything but crisp), stupid question but is this film capable of fine resolution ( i like tack sharp fog)
is this film capable of fine resolution
The nominal resolution is 108 lines per mm (not too shabby).
While we are here, the sensitivity is 2.8 to 5.5 GOST (ISO 3 to 6), the exposure latitude is 0.9 (in lg H, or 3 stops) and the recommended gamma is 3. Maximum density is 3, base-plus-fog 0.04 (quite low).
I have doubts that it will make a good film for pictorial photography.
According to Jeremy Mudd his MZ-3 was manufactured by Kodak.
Embracing weird and unusual film - Svema MZ-3 — Jeremy Mudd Photography
For 2020, one of my resolutions is to shoot more film than I did in 2019, and I’ve started the year off with a bang, having already shot several rolls since January 1st. I even went to Hocking Hills last weekend and only brought my RB67 and shot several rolls, with no digital equipment as a back-up.www.jeremymuddphoto.com
Either Svema contracted Kodak to make MZ-3 to the Soviet specifications of 1980 or this is a totally different film.
Do you mean Technical Pan? At what temperature are you developing? How is the contrast compared to POTA or compensating developers like Barry Thorntons'?
I have some TP in a 70 mm roll and I am still wrestling with its high contrast.
1+50, 11 minutes, 20°C.
agitate first 30 seconds then 5 times every minute.
As far as the film, it is Astrum/Svema FN-64. fairly certain it’s Aviphot 80. Really fine grain, high resolution film. Extremely good film/dev combo, I was not expecting this to work so well.
AVIPHOT is/was an AGFA-Gevaert product and is still made at the Gevaert facility in Mortsel (Belgium).
Rodinal was an AGFA-Gevaert product too, although they weren't meant for each other.
Anyway, here is AVIPHOT's tech sheet:
Yeah they still make it and sell it by the master roll, I looked into getting it but I would have needed to order… a LOT of film, so not worth investigating further than an email. I’m definitely not complaining about getting it from Astrum though, still way cheaper than other resellers
Japan Camera Hunter sells a Gevaert film as Street Pan which is 400ASA, and in 120 rolls too, and, I think, it is Gevaert's Traffic Observation Film.
Perhaps it's interesting to have it along Aviphot as a faster (classic-) film?
PS: at the time, before Gevaert acquired AGFA (in 1946-'47 as a war damage compensation), and even there after, they published a lot of very interesting books giving an even larger lot of advices and interesting formulas... I collect them.
Japan Camera Hunter JCH Street Pan is also only simply repackaged Agfa Aviphot Pan 200 film. So it is exactly the same film as Rollei Superpan 200, Rollei Retro 400S and Rollei Infrared. But Street Pan is much more expensive than all the other Aviphot Pan 200 repackagings.
I have compared these films under exactly the same test conditions, and the results have been absolutely identical.
Agfa-Gevaert is not producing any specific traffic surveillance film. Which is clearly visible by looking at their film programme.
The film which is partly still used for this purpose is also Aviphot Pan 200.
Gevaert has not acquired Agfa in the 40ies.
Instead in 1964 Agfa and Gevaert merged, fused into Agfa-Gevaert.
About the Street Pan and Aviphot Pan 200, you can be right (why the difference in sensitivity?),
and where is that story about Traffic Film coming from then (I didn't invent that, you are right when saying that the internet is full of strange stories).
But about that merging, it is the first time in all these years (since '74) I heard it, all the Gevaert people I knew told me about the war...
Try to get you hands on agfa apx 25, grain, what grain...
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