DavidClapp
Member
... well I made it as far as my garden.
Last week I bought myself a Mamiya C3 from the Camera Centre, Cardiff, simply because I liked the idea of a 6x6 camera and the camera had some kind of magnetism as soon as I looked through the viewfinder. So far I have done nothing but shoot flowers with it in my garden and this is the first in a series of floral images that I thought I would create for my house.
CAMERA - I shot this with a 65mm f3.5, the chrome version of this lens, on Fuji Pro 400H film, using a Epson v850 scanner, scanned using the Epson software that came with it. I bought a Paramender, the miniature centre column that corrects parallax errors between the capture lens and the viewing lens and the results are super accurate. I metered with a Weston Master V - still accurate all these years on.
SCANNING - Ive tried Silverfast and Vuescan as well, but their difficult interfaces and unpredictable results are driving me mad.
To say this has been a steep learning curve is to say the least... I came initially from a 35mm film background that I abandoned in 2005. After buying a Canon 5D I have shot nothing but digital images until January this year. With the knowledge I now have behind the camera, I made sense to make a return and I now have a Chamonix 5x4 too. With the quality of modern scanners, there has never been a better time to shoot film, but the variables that exist in film photography have caused and continue to cause me immense frustration.
It's successes like this that spur me on and make me realise that despite the complexity, it is worth pursuing - I think I see subtle colours, buttery smooth transitions but I am still not sure... I am trying to work out whether the 'look' of film actually contains more of my bloody minded will than actual disparity from digital imagery, but despite this, this 1960's Mamiya is an absolute joy to work with.
FILM LIVES and it has as much relevance as the any digital sensor... I think