JMoore said:I just finished developing a few rolls that I took today to test out my new Leica MP/90mm APO.
All I can say is.............................................
WOW!
Looking at them on the light box they are Tack Sharp!
I'm going to try and print a couple tonight and I'll post 'em in the gallery.
Jim
I was one of those people and I sure 'got it', almost fell off my chair looking at my first roll of film from an M6 28mm elmarit-M...clay said:Some people will totally dismiss the leica optical 'mystique'. But once you try them, you 'get it'. Just wait until you see something from the 35 cron or lux.
Fintan said:Jim, can I ask how they compare to your Xpan?
Fintan said:sorry Jim, I thought you had one. I do myself but was just curious how they would compare. Good luck with it !
mrcallow said:Did you post them yet....?
Sean said:I was one of those people and I sure 'got it', almost fell off my chair looking at my first roll of film from an M6 28mm elmarit-M...
The M was introduced around 1954, I believe, with a slight overlap of lens availability between the two mounting systems. Generally, however, the thread mount lenses are of older designs, some of which have a strong aesthetic following, even if they were less sharp or contrasty than newer designs. There are, however, LTM-M adapters available, allowing the use of the older lenses on Ms.kwmullet said:cost
LSM lenses on average tend to cost less than M mount lenses.
Non-Leicas that have the mount I want seem to be a good way to get
into the market.
Yep. There are, indeed, compatibility issues between some of the Leica clones and earlier wide-angle lenses. A couple of the Leica "reference" sites provide a run-down on which lens won't work with which camera. Also, some of the non-Leica M-mount cameras have a slightly different mount-to-film measurement that needs some caution.kwmullet said:Rear element clearance
Some wide angle lenses and collapsible lenses require more clearance "in the box" than some third-larty LSM- and M-mount cameras can provide.
True. There is also an issue of slight variation in the triangulation of the rangefinder when re-composing in critical focus situations when shooting at f/1.4 or f/0. Essentially, if you rotate or turn the camera on its center (the lens axis) when re-composing, you change the distance to the subject slightly, thus changing what's in focus. So, you either have to "slide" the camera to re-compose, or make a slight adjustment in the focus through experience.kwmullet said:two or one finder?
It looks like cameras contemporary to the Leica III series have two finders: one rangefinder to focus, and a separate viewfinder to frame the image. This is the arrangemeng I have on my Crown Graphic. I guess preferences on this would be a thread in itself. With two finders, you have to switch back and forth every time a subject moves and you have to re-focus. One finder with an RF is still a compromise, since you have to move the focus spot to the point of focus, then move the frame back to where you want it.
I've only used the M6TTL, which has lens-linked finder frames, but its finder is plenty bright for even low-light shooting. Older cameras often need a good CLA, including a cleaning of the viewfinder and rangefinder elements, as over time, these get grunged by atmospheric contamination.kwmullet said:Single frame, multiple frame, or accessory viewfinder?
I get the impression that some RF cameras have a mechanism for switching the framing lines in the viewfinder between common focal lengths like 35,50,90. On older cameras, what I'm reading is that this yields a viewfinder that doesn't age quite as well, and is a bit dimmer than single frame viewfinders. If I want to frame more accurately with non-normal lenses, though, in a brighter, single-frame viewfinder, it seems that I need to use an accessory finder.
In many cases, I think the differences can be rather subjective. Later M lenses included design improvements that increased resolution and contrast, and some of the latest designs include aspheric elements that provide even better correction for certain optical abberations. Wear within the focusing mount can certainly affect sharpness, but the old 50mm DR Summicron is still one of the sharpest 50s around.kwmullet said:Resolving Power/Sharpness
From what samples I've seen, I was starting to get the imression that older screw-mount/LSM lenses are generally less sharp than their M-mount counterparts. Just recently, though, I've seen what I thougth were some nicely sharp/contrasty images shot with Jupiter LSM lenses with a Russian (Soviet?) knock-off Leica clone. Is the issue that older lenses are just more likely to have accumulated more abuse and have the potential to be either WAY less sharp or JUST as sharp as contemporary lenses, depending on the particular lens? How about the concept of the LSM mount itself? Wouldn't screw mount provide for some minimal variance WRT exactly where the lens stops on the thread as opposed to the (seemingly) more precise M mount? Does M provide more accurate and predictable focus than LSM?
Yep. Leica IIIGs and earlier are knob winds, and early M3s used a double throw advance, as there was concern early on about potential film damage resulting from the thumb lever being too fast.kwmullet said:Knob, Single-throw or Multiple-throw?
Maybe it's the way I shot when I was growing up, but I just don't get a sense of closure when shooting with my Canon EOS -- No satisfying thumb throw after each shot. Myself, I just can't see shooting with a 35 that has a knob to advance the film. Ideally, I'd like a single-throw lever. I guess that limts the field quite a bit.
The auxiliary finders have no lens linkage, so they can't be parallax corrected. Each has a set of instructional guidelines for estimating the framing through experience, however. Even with the framelines in the viewfinder, there is an inherent difference in magnification based on distance, so there are guidelines as to whether to use the inside edge of the frameline or the outside edge, depending on subject distance.kwmullet said:So, I'd be willing to get an RF with a single frame viewfinder and have the inconvenience of using an accessory finder if it was parallax corrected and the single-frame viewfinder gave me substantially brighter focusing than a multiple-frame viewfinder. Is that the case?
How about the sharpness/contrast of LSM v. M lenses?
What third-party LSM bodies are likely to give enough clearance in the box to use collapsible and ultra wide-angle lenses? How about the Canon 7 or Canon P?
Finally, I'd like to find something with both M and X synch (or at least X synch) so I can use both flashbulbs and electronic flash.
Oh -- and I couldn't care less if it has a meter. In fact, I'd be happy if it didn't. I'd rather just fly by the seat of my pants or use my hand-held spot.
Nicole McGrade said:KwM -I wouldn't worry. Jim's avatar may look scary but he doesn't bite! Interesting read nevertheless.
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