More often than many wish to admit, the biggest obstacle to seeing clearly is that damned camera they are lugging around.
Ken
I think a lot of photographers go out looking for the "big picture". And they miss all the little ones.Easily the best, most practical and usable advice yet. More often than many wish to admit, the biggest obstacle to seeing clearly is that damned camera they are lugging around. Leave it behind. And with it all of the unavoidable expectations that it must be used right then and there. The camera should be one of the last steps in the process. Not the first.
The seeing part is supposed to come before the recording part.
Ken
You don't mention what format you shoot, but I think the large formats can be very restrictive for many people. It is a rare photographer who can compose ULF with the skill of a Kenro Izu; most ULF shooters, I think, "why bother?"
Medium format and smaller can be very liberating, allowing you a lot more room just to play and see the world without every frame having to be a masterpiece. Changing formats can have an extremely refreshing effect on your vision.
...
( note, this does not mean shooting pictures of your dick)
The talk about freeing the mind and focusing on what's important to you is right on point, I think. You might just step back and consider what's important to you as a person (not as a photographer), make a list of the first 3 or 10 or 50 things that you really care about, and then find one that's accessible AND that is visual. And then go make 10 to 25 excellent photos of it. This is the basic advice from "On Being A Photographer" by Hurn and Jay. Great book, you might get it and read the section on "Finding your Subject." I think it will help in your process.
i think a problem a lot of people have is they over think EVERYTHING ...
I'll get some flak for this, but quite simply, I live in a lifeless place. I'm uninspired by what I see.
Or maybe there's a simpler answer like not everyone is an artist. Sobering. Maybe a little harsh. But that's the way it is.
Or maybe there's a simpler answer like not everyone is an artist. Sobering. Maybe a little harsh. But that's the way it is.
This will likely offend and piss off a lot of people...
I don't know, guys. Maybe it's because I come from a music background (where it is sometimes a little more obvious when someone just doesn't "have it" no matter how much analysis, practice and effort they put it), but while it is perhaps slightly too strongly worded to say not everyone is an artist, it's not far off. Certainly we can at least apply it to individual branches - ie not everyone is a photographer. Someone might love photography, but ultimately not be much of a photographer no matter how hard he/she bangs his/her head against the wall (or doesn't).
In the end a very small proportion of people practicing art are great artists. When someone tries to be way overly analytical about why it isn't working, trying to figure out how to discover his artistic subject, voice etc, some additional - even tougher - questions may be in order. We need to ask ourselves what our goals are. Do I have the talent to truly take this as far as I want it to go? Or should I just try to enjoy it as a hobby, do the best I can, maybe reassess at some point, but enjoy it.
Being an artist and a craftsman is hard work regardless of how much talent or vision someone has, but the hard work will take different people to different levels (as it does in music, athletics etc). So with all due respect I find it pretty simplistic when people suggest the answers to the creative problem expressed here lie with using less equipment, looking at less art, freeing yourself etc.
This will likely offend and piss off a lot of people, but that's art.
It is okay to occasionally vue other artists work to get "inspiration" but you really need to dig deep into yourself for what you want to portray to others through your work.
It's one of the toughest thing for me to do as an artist. Finding my own voice. But the key is to keep on shooting.
I don't know, guys. Maybe it's because I come from a music background (where it is sometimes a little more obvious when someone just doesn't "have it" no matter how much analysis, practice and effort they put it), but while it is perhaps slightly too strongly worded to say not everyone is an artist, it's not far off. Certainly we can at least apply it to individual branches - ie not everyone is a photographer. Someone might love photography, but ultimately not be much of a photographer no matter how hard he/she bangs his/her head against the wall (or doesn't).
In the end a very small proportion of people practicing art are great artists. When someone tries to be way overly analytical about why it isn't working, trying to figure out how to discover his artistic subject, voice etc, some additional - even tougher - questions may be in order. We need to ask ourselves what our goals are. Do I have the talent to truly take this as far as I want it to go? Or should I just try to enjoy it as a hobby, do the best I can, maybe reassess at some point, but enjoy it.
Being an artist and a craftsman is hard work regardless of how much talent or vision someone has, but the hard work will take different people to different levels (as it does in music, athletics etc). So with all due respect I find it pretty simplistic when people suggest the answers to the creative problem expressed here lie with using less equipment, looking at less art, freeing yourself etc.
This will likely offend and piss off a lot of people, but that's art.
I don't know, guys. Maybe it's because I come from a music background (where it is sometimes a little more obvious when someone just doesn't "have it" no matter how much analysis, practice and effort they put it), but while it is perhaps slightly too strongly worded to say not everyone is an artist, it's not far off. Certainly we can at least apply it to individual branches - ie not everyone is a photographer. Someone might love photography, but ultimately not be much of a photographer no matter how hard he/she bangs his/her head against the wall (or doesn't).
Molli...I switched from writing to photography and I just don't feel it in the same way at all. I'm not making any connections whatsoever. I went from a very intimate, very raw medium to one that feels sterile by comparison. So, yes, any help in getting my head out of the way and my heart into the game is appreciated tremendously.
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