I expect the 1:3 was done to give more development time, which could then be measured more accurately.I think the 1:3 dilution recommendation was a warm-weather precaution, but it did not work well for me.
I expect the 1:3 was done to give more development time, which could then be measured more accurately.
Hi Don,It seems the cost of more time to control the development is weaker images.
It sounds like you're exhausting the developer in the denser areas of the negative with the 1:3 dilution.
This would argue for more aggressive agitation.
Don.......
Curious what your distance is from the light sources to the subject, considering that you made out like a bandit with only one 2400 w/s unit on those 3 images that you mentioned. Are you bouncing the 2400 from one side off an opposite reflector? Your portraits are looking great, BTW.
Well, that's good to know. Thanks for the reply. I've got 2 Blackline 2400's and one 4800. These are the older models without the white toggle switches and I went to turn on the 4800 several months ago and it blew up. They could have used it as a prop on the beach in Saving Private Ryan. So I'm down to the 2 2400's, so your post has been quite helpful.For the three where I was only at 2400ws, the distance was at 2 feet with an 11 inch reflector and no modifiers. I was at f/4.5.
For the others, I pulled both 2400ws lights back to 3 feet, same f/4.5.
Best,
Don
I really like your image in post #2.
They look amazing.
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