Like Vaughn said, Tmx100. If you are planning on contacting them directly onto cyanotype sensitised papers. Any other film that has high base fog is tricky to work with. HP5 build up quite a bit of density with conventional developers, making it difficult to get a decent black. High contrast developers to the rescue! DK-50, D19. The nice thing about cyanotypes is the DR doesn't have to be super long like it is for carbon printing.
Of course if you are gong the digi neg route, then any film, and format can be used...