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Film stored in freezer or fridge?

I would suggest that colour film should be kept in a fridge and black & white film kept in the cool.
 
As for the film vs. freezer debate, here is Koda'ks position https://www.kodak.com/global/en/service/tib/tib5202.shtml:

[paste:font size="4"]Film Storage Information.
You should test camera films stored for longer than six months to ensure that the product will perform appropriately. If you must store film, a relative humidity (RH) of 50% is recommended at the following temperatures:
  • For general storage, store unexposed camera films at 13°C (50°F) or lower.
  • For periods exceeding six months, store unexposed camera films at -18°C (0°F) or lower.
IOW Kodak does cite conditions under which freezing film is suggested -- over 6 months.
 
i/ve had conversations with my kid's physics teacher about cosmic rays
and they are not as frequent as film freezers would hope you to think.
they are infrequent and really not that prevalent ....
i agree with thomas, consistant non spike ambinet temp ie fine, extremes
aren't good for anything, the human race or film ...
 

I freeze film when I buy large quantities and when it will be used well after its expiry date. I wouldn't expect to see any difference between a film that expired a year ago with a fresh film either. I'm talking about films that are 10 years and beyond their best before date.
 
Okay... so 'maybe' it doesn't help.. but does it 'hurt'?
 

Just out of curiosity, why buy that much film? Do you shoot a special format that isn't normally available? Afraid of running out? Just curious. I never have more than 50 rolls of film of 35mm and 120 respectively, and not more than 50 sheets of 5x7. When I'm half empty I order some more. Always fresh for the shots that count (the old stuff is film that was given to me).
 
The film goes in a small fridge that is dedicated to film storage. It is set at about 50 degrees F.
I never freeze the film.
 
Do they respond to exposure with the same contrast and spectral sensitivity?

Haven't gotten that far. Zone I is lost in the fog, I'm trying to figure out what ASA and development times to get a useful printable negative. From what I know so far, I'm down around 80 ASA. L
 


Easy.

The moment (if) you hear about discontinuation, the film can be hard to get hold of very quickly.
Fuji has a reputation of announcing discontinuation after the fact (that is, when the final batches are in the stores and half sold out already).

The current trend is that prices seem to go up. Buying larger quantities so you can shoot for a long time, prevents you from having to get "new film to new prices" every other month.

The ability to have several different films available. I have many different c-41, E6 and B&W films in my freezer, sometimes I like to shoot this film, other times another type of film. (different devs, different looks).

Also, 50 rolls of just about anything (in my case) will last me a very very long time, and that's just about what I did, I bought 20-50 rolls of many different films and those are all stored in my freezer.

Last week, I was out shooting Fuji Reala in 120, wonderful film, the week before that I shot 2 rolls of Efke 25, which was ok/fun/different
 
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I see. Pretty much all I shoot is Ilford HP5+, with the odd roll of something different when it's given to me or I get an itch to try something. But it's HP5+ that I stock, and I'm not worried about not being able to get any more for the foreseeable future.

To me, having that consistency and continuity of film usage is what I need, but I understand wanting to use different films, for sure.
 

I just bought 4 rolls of expired Reala film. God, I just love the colors and sharpness of this film. Such a tragic loss.
 
I just bought 4 rolls of expired Reala film. God, I just love the colors and sharpness of this film. Such a tragic loss.
What's even more tragic is it was almost impossible to get a bad print from that film in my minilab, it was a pleasure to print and shoot.