Loris Medici
Member
BTW, the "negatives" *I* shoot are ment to contain all the information I want to present in the final work, in highest possible quality (in terms of DR / tonality / grain / sharpness / acutance / resolution and such), in the most convenient format/data-set. (In other words; readily / easily transformable to the final product w/o too much [or as little as possible] hassle - according to the visualization I have done while shooting. Or, suitable to transform for multiple purposes.) Nothing more...
What is the best (both in terms of aesthetic and technique) as the final product depends on too much parameters - which most are highly "subjective". I already stated my "objective" view. (I'm a pretty good silver printer BTW; I don't claim to be a master but I'm certainly satisfied from what I can get, and I'm not an easily satisfied person at all...)
Regards,
Loris.
What is the best (both in terms of aesthetic and technique) as the final product depends on too much parameters - which most are highly "subjective". I already stated my "objective" view. (I'm a pretty good silver printer BTW; I don't claim to be a master but I'm certainly satisfied from what I can get, and I'm not an easily satisfied person at all...)
Regards,
Loris.