We buy, use and sell only photo grade chemicals when they are available. If they are not available, then the next best grade is purchased.
It is easy to not to insist on QUALITY, that is why digital imaging is acceptable to some.
We buy, use and sell only photo grade chemicals when they are available. If they are not available, then the next best grade is purchased.
It is easy to not to insist on QUALITY, that is why digital imaging is acceptable to some.
As we've already had the debate over the "aging" of fresh film, I'll push the topic to the aging of "old" film.
Even from a producer like Kodak, shelf life seems to vary dramatically depending on emulsion. Assuming a similar low (100 to 100, 400 to 400, etc) film speed, and proper cool or cold storage, why does one film "degrade" (fog, etc) faster than another, even within a company's catalog?
Pure IR film seems to degrade the faster than anything else, yet I find Kodak's aerial films with extended red sensitivity hold up better than their consumer B&W films.
If I'm looking to horde film against the Great Film Apocalypse, what films (or types of films) should I stockpile first, assuming I'm looking for longevity in cold or frozen storage? As I'm more of a trial-and-error photographer, rather than a lab technician-type, I can adapt to most any film.
There's something that just eludes me.
If film sales are indeed plummeting - shouldn't there right now be a glut (at least temporarily) of photo chemicals? :confused:
I wonder if it would make sense to have an "open source" or even public domain recipe for a film product, in which all the chemicals and reactions are documented. It may not have to tell all the production secrets necessarily (e.g. if you want to scale coating to 10,000 ft/s you need to do this and that), but it would be like a chemical blueprint for the emulsion.
Maybe all the knowledge already exists in publication form? Ron, I know you reserve some information about your emulsions to the people who attend your workshop, so I'd be curious to have your opinion on the practicality of "full disclosure" formulae.
This is quite possible, and I intend to do so.
As soon as the "Articles" section goes up, I am going to post an improved version of AJ-12, the Kodak film formula that should get a real camera speed.
I will also post some "lessons" on the emulsion making and coating forum.
A film making and coating "kit" is under development as is a pipeline with most major chemicals. This is in the hands of several potential suppliers for their consideration.
PE
That's seriously nice, even though I'm not personally likely to do my own coating soon. I suppose sheet film is the obvious choice, but would 120 or 35mm be a practical reality as well?
Dear PE,
Just to give me a timeline perspective, roughly when did "TIA" replace "MBT"?
TIA, ;>)
Neal Wydra
How about some of the smaller sheet film/plate sizes like the kind old magazine hand cameras used to use (i.e. quarterplate and various odd plate sizes for antique stereo cameras)?35mm would be impractical for a number of reasons. I expect sheet films from 8x10 to 4x5 or long panoramic sheets.
How about some of the smaller sheet film/plate sizes like the kind old magazine hand cameras used to use (i.e. quarterplate and various odd plate sizes for antique stereo cameras)?
I guess I get no more than a little perturbed about the premature demise, or, in fact, the timely demise of processing chemicals. There seem to be more than a few suppliers of chemicals to meet the needs of todays photographers. And, as I read other forums, the increasing number of analog photographers (maybe not as many as those abandoning traditional for digital). but maybe enought to keep the present suppliers interested in providing the chemicals MOST desired. Myself, I am not a mix-it-yourself guy, but I realize that there are more than a few who do prefer to delve into the exotic. All well and good. My personal favorite is Acufine. I hope it will be around for a long time. If not, I will probably revert to IDll/D-76. If it goes away, then I may go to do-it yourself. If some of the key ingrediants disappear there, then electronic it is. My point is, as I look through a haze of vodka and Squirt, is, that we adapt. If we don't, then photography is doomed, as we know it. The result is the image, no matter how it is produced.
Jim
I guess I get no more than a little perturbed about the premature demise, or, in fact, the timely demise of processing chemicals. There seem to be more than a few suppliers of chemicals to meet the needs of todays photographers. And, as I read other forums, the increasing number of analog photographers (maybe not as many as those abandoning traditional for digital). but maybe enought to keep the present suppliers interested in providing the chemicals MOST desired. Myself, I am not a mix-it-yourself guy, but I realize that there are more than a few who do prefer to delve into the exotic. All well and good. My personal favorite is Acufine. I hope it will be around for a long time. If not, I will probably revert to IDll/D-76. If it goes away, then I may go to do-it yourself. If some of the key ingrediants disappear there, then electronic it is. My point is, as I look through a haze of vodka and Squirt, is, that we adapt. If we don't, then photography is doomed, as we know it. The result is the image, no matter how it is produced.
Jim
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?