lighting, not film
This.Lighting and choice of subject.
Painting With Light by John Alton. That's the lighting book by one of the classic noir cinematographers. The noir films were of course a specific style where the story/cinematic direction/photography all came together to create something quite different from earlier pre-war genres. You're going to get the look through the lighting, the film/paper materials are going to be secondary. Good luck!
Film Noir was more of a story than of lighting. The characters are all "dark" personalities or questionable moral character with murder and betrayal as important elements. Much of the story occurs at night. That is a very short explanation. The lighting in these films was adapted from the earlier German Expressionism films which heavily relied on Chiaroscuro, an art term for strong contrasts in light and dark. As I recall much of the film stock used at the time was slow. I would not think more than ISO 100, maybe even slower. Since the images that truly determine this effect were obtained in studio it was the lighting of the set that determined the final product. To obtain similar images today I wold recommend Tri-X and a Sonnar designed lens. But, overall (if the lens in not available) it will be your selection of how you light your subjects. There are many great paintings from the past that will provide you with light ideas.
I'm thinking of doing a Film Noir styled project and thought this is the best place to start.
Shooting in studio in both 35mm and medium format, Black and White.
First of all, I don't shoot in a studio...and I don't shoot with artificial lighting.
I don't have that experience.
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