- Joined
- Aug 21, 2010
- Messages
- 10
- Format
- 35mm
Currently I am using Tri-X but I am having ideas about Neopan 400 (legacy bulk) due to cost and some of the nice things people say about this film. I like the idea of those black blacks.
But I thought I would consult the gods at apug before I find myself making a mistake.
An important part of my photography is curves manipulation. With curves, sometimes aided by masking, I move my pics to where I want them. Curves is also a big part of converting my Canon 450D snaps of my negatives (taken through an ancient smc Takumar 50/4 macro; I've never used a scanner). With curves I am thinking the black blacks of neopan may be irrelevent. With Curves I tend to find I don't have as much scope with Tri-X as I do with colour negatives.
So I am wondering what would be a good value film for a seasoned curves user? I would rather pay less than I paid for my tri-x: in fact if I do get the neopan I am considering selling the tri-x off. (BTW, I develop using HC110).
I do have another couple of considerations. I shoot only people as environmental/documentary-style portraits. I work very hard for atmosphere above almost any other consideration; so I never use flash and I put some effort in to preserving the sky/clouds (ndgrad and orange filter for most sky pics). My favourite pics are backlit. One example would be a niece sitting at a table with sunlight through the back of her hair: her front in shadow.
Perhaps for such photography I really must stick to films with the greatest dynamic range and that means tri-x hp5+? Perhaps also these films are best for manipulation. But having the best often isn't really necessary. The cost of legacy pro is very attractive. Perhaps it would be enough to use Ansel Adam's compensating HC110 routine (18 mins dil G, less agitation), but that was for Tri-X.
What do you think?
But I thought I would consult the gods at apug before I find myself making a mistake.
An important part of my photography is curves manipulation. With curves, sometimes aided by masking, I move my pics to where I want them. Curves is also a big part of converting my Canon 450D snaps of my negatives (taken through an ancient smc Takumar 50/4 macro; I've never used a scanner). With curves I am thinking the black blacks of neopan may be irrelevent. With Curves I tend to find I don't have as much scope with Tri-X as I do with colour negatives.
So I am wondering what would be a good value film for a seasoned curves user? I would rather pay less than I paid for my tri-x: in fact if I do get the neopan I am considering selling the tri-x off. (BTW, I develop using HC110).
I do have another couple of considerations. I shoot only people as environmental/documentary-style portraits. I work very hard for atmosphere above almost any other consideration; so I never use flash and I put some effort in to preserving the sky/clouds (ndgrad and orange filter for most sky pics). My favourite pics are backlit. One example would be a niece sitting at a table with sunlight through the back of her hair: her front in shadow.
Perhaps for such photography I really must stick to films with the greatest dynamic range and that means tri-x hp5+? Perhaps also these films are best for manipulation. But having the best often isn't really necessary. The cost of legacy pro is very attractive. Perhaps it would be enough to use Ansel Adam's compensating HC110 routine (18 mins dil G, less agitation), but that was for Tri-X.
What do you think?

