waynecrider said:I had thought about trying FX1 or FX2. Does anyone have experience with these developers?
waynecrider said:I understand that TriX is a different emulsion then what it once was. In fact I read an article somewhere, I believe in Photo Techniques, comparing the new Tmax, (perhaps TMY) and TriX in testing Does anyone remember that particular article? I faintly remember them talking about the grain comparsion and that TRiX was the better film
waynecrider said:This is a grainy look I seek to achieve thru film / development procedures. (The image is for representation purposes only.) My finished print will be a 6x9 thru 8x10 contact thru enlarged negative using a condensor enlarger; Depending on the nuances of the grain "look", I'm prefering to stay with 35mm film, perhaps MF.
http://home.bellsouth.net/p/s/community.dll?ep=87&subpageid=261975&ck=
Tom Hoskinson said:If you can't find Kodak packaged DK-50 and D-19, you can mix your own:
(there was a url link here which no longer exists)
Kodak DK-50
(there was a url link here which no longer exists)
Kodak D-19
df cardwell said:Either FX-2 or Rodinal make lovely, regular grain, and a pleasant and controllable tonal range.
Pick one, then run tests with Plus X, Tri X, and 3200. Pick the one that suits you !
Dektol / D-72, diluted 1+10, is a traditional way of making cleanly rendered grain.
The danger point in your technique will be keeping the grain exactly sharp through the inter-positive and internegative. You might be ahead of the game shooting the original in a fine grain manner, and introducing the grainy emulsion only as the inter-positive. OR, you could shoot the original into a positive on grainy emulsion, and enlarge THAT to an inter-negative. Interesting problem.
HeliH said:I like Ilford Delta 3200 in Rodinal. Here's one: Dead Link Removed shot on 35 mm film. But I have to say the grain looks much more beautiful and sharper in the print, this web version doesn't look that good at all
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