Roll a die and pick one of the films you list. Then roll a die and pick a developer you list. You might like the results you get.
With macro photography, control of lighting will pay much higher dividends than selecting between the films you list. When we walk around taking non-macro photographs, we naturally reject scenes with poor lighting without even thinking about it. When taking a macro photograph this isn't the case, so we usually have to make the lighting correct for what we want to capture. At a minimum, make sure you have a tripod and a light reflector. These two alone will do more than your film selection.
Most people don't like to copy the results of others, but learning macro photography is probably one place to ignore that rule. Find a macro photograph you really like and set about trying to duplicate the shot. You will probably find it involves a lot more than you think, and the skills you learn doing it will help you with your own particular style of work later.
I don't want to come off sounding like I'm very knowledgeable about macro photography. Just the opposite. Like a lot of us here, I've done enough to know it's a lot harder that it looks and like golf, it's an obsession where you never seem to get to the skill level you would like be at.
Denis K