My favorite (more or less) is a 75mm-150mm f/4 Zuiko.... Has a history behind it ...
I originally bought this used. It had a problem in losing its focus when "zooming" from one end of the range to the other. I lived with it.
A few years ago we had the "Mother's Day Flood" ... 12" of rain in about 12 hours. My Olympus and all the accessories were caught underwater as a result. Everything was borought to a respected repair shop - one of those shops dedicated to repairing professional equipment only (knock three times and tell them "Scott" sent you). Everything was dried out, cleaned, lubricated ... an excellent job - EXCEPT that 75mm - 150mm... it would NOT focus -at all. I returned it, they sent it out, and it was re-built. Now, this is the finest, sharpest, most contrasty, distortion free lens I own, bar none!
I use it almost exclusively in copying art, producing transparencies submission to Art Schools. I don't think anyone can be more technically fussy than artists judging transparencies of their own work.
The only way that lens is going anywhere is when they pry it from my cold, dead fingers!
Have any of you folks ever used one or the 20mm f3.5 macro? They both look incredible.
That is also my favourite, a stellar lens, even compared to the 3.5/50 Macro and the 3.5/38 bellows lens. The 80mm had been recommended to me when I asked in this forum "which is the best lens ever made for macro photography around 1:1 size?"
VaryaV, I have recently started using the 20mm f/3.5 ultra-high magnification Macro lens. It's quite simply an amazing lens, and opens your eyes to an unseen world. It is, however, very difficult to use (especially the way I've been using it mostly, hand-held with flash) it's like hand-holding a 1000mm tele lens.
Another difficulty is the paradox of needing to stop down all the way (f/16) for *some* depth of field, but that this lens is sharpest wide open, and suffers serious loss of resolution at f/16. Still, I've been taking more than half my images at this aperture. Here is an example (image field is about 2.5mm across) of a tiny seedling just sprouted from the ground, taken at f/16. Natural light, long exposure. (There is no light at f/16 at these magnifications!!)
(Ilfor FP4+, 5x7in split-grade darkroom print)
This particular one was with the bellows, but this lens is great on the 65-116 auto tube with flash. (Beware: The ring flashes are not suitable for the short lens-to-subjkect distance, you have to mount the macro twin flash on a separate bracket, or a nowmal - i.e. T32 - flash into a soft box)
Back to the topic of the thread. My favouite OM lens? The Zuiko 90mm f/2.0 Macro. This lens draws in a manner which is quite unlike any other I've seen - the way it captures light. Character very similar to some images of Leica M lenses that 've seen. And it has the most beautiful soft "ideal" gaussian-blurred out-of-focus areas.
Anyway, I love it, it lives on my OM-1n.
Here's a shot from my 55mm 1.2, I love the effect I get when shooting this lens wide open:
I would love to see more Macro stuff shot with these beautiful Zuiko lenses........
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