There are good reasons why most LF lenses have maximum apertures that are in the
f/5.6 range (ranging from slightly larger to much smaller
).
First, size is a consideration, faster = larger, and a (hypothetical) 210mm
f/2.8 lens is going to be way to big to use conveniently on your Pressman. Smaller, more portable lenses in this focal-length range have even smaller maximum apertures (e.g.,
f/9). If you are limited to a #0 (or even #1) shutter, lenses in the 210mm range will simply have rather smaller maximum apertures due to the physical constraints of the shutter opening.
Second, is depth-of-field. The longer the lens, the shallower the DoF, all other things being equal. Even at
f/5.6, the DoF for a 210mm lens is relatively shallow at portrait distances, and may not do the job unless you like out-of-focus ears.
Third, is the quality/expense trade-off. In order to make a fast(er) LF lens, you need more glass, better manufacturing and materials, plus complicated designs to maintain image quality wide-open. Many LF lenses don't do well wide-open; the maximum aperture is meant for focusing, not taking. Almost all LF lenses yield optimum quality in the
f/16-22 range. Wide-open they exhibit more aberrations and loss of resolution. Correcting this for even faster lenses is almost always too expensive for a manufacturer to justify.
If you are looking for "speed," then you may find you need shorter lenses and a smaller film format (e.g., a roll-film back for your Pressman) and/or faster film, or even better lighting. There's a reason all those press photographers in the 30s through the 50s had bags full of flashbulbs with them.
Best,
Doremus