Michael - I've never had a problem with ACROS shouldering off, even in very contrasty mtn scenes with snow and glacial polish on granite etc. But I develop it in PMK pyro, which makes printing the highlts very
practical. But this also allows me to bring the deep shadows up onto a straighter section of the curve by using ASA 50. A wonderful film when speed isn't the priority. Jeff- TMY is distinctly grainier, at least if you print a 20X24 from 4x5, for example, has a different spectral sensitivity (as noted), different recip
characteristics, etc - a completely different animal, though one of my favorite films too.