Here we go!
Roger pops in with an OT post and now we'll wind up debating:
1) RF v. SLR
2) German glass v. Japanese glass
3) Cameras that use batteries v. those that don't
4) Trekking in the Himalayas
etc. etc.
Fasten your seat belts everyone....
Eh? A camera with no flaws? Even my MP isn't perfect, but I'd much rather use it than an F3.
Eh? A camera with no flaws? Even my MP isn't perfect, but I'd much rather use it than an F3.
Probably the LCD could have been manufactured better.
For my money - the F3HP HAD no flaws. I had no problems or issues with mine at any time. I loved it - and it was, by a LONG shot, the best 35mm I'd ever used. If only people actually USED their cameras more, and stopped just sittin' on their duffs looking at them...! (that wasn't a personal jab - just in case it be taken that way)
I had an F3 once, a early one. In terms of reliability, it was the worse camera I ever owned. I went through system board after system board. I eventually replaced it with an N70.
I had an F3 once, a early one. In terms of reliability, it was the worse camera I ever owned. I went through system board after system board. I eventually replaced it with an N70.
Snegron,
From the Nikon Compendium:
"For those photographers who wear glasses seeing into the extreme corners of the image area in the viewfinder is often a problem since they cannot position their eye close enough to the eyepiece. Normal viewfinders are designed for an eye relief distance of about 15mm between the eyepiece and eye. As this distance increases the corners of the finder image begin to be obscured. In order to solve this problem Nikon developed a special viewfinder for the F3, the High-eyepoint (HP) finder, which has an eye relief distance of 25mm allowing a complete view of the finder image that suffices for most glass wearers.
"The HP viewfinder, known as the DE-3, turns a normal F3 into an F3 HP increasing the camera's weight from 700 to 745 grams. It is not just those with glasses who have come to apperciate the F3 HP, photographers with normal vision can benefit from the more comfortable viewing afforded by this finder, so much so that in the latter years of its production the F3 was invariably delivered as the HP version."
Perhaps they accomplished the effect with a bit of wide-angling?
Interesting point. I have heard of this type of problem from a few F3 owners. I wonder if it was a certain production lot that had deffective circuit boards? I would be curious to know if this could be determined by the serial numbers.
Keep in mind that professional level Nikons (F2 to F6) all show 100% of the image in the viewfinder.
Nikon F to F6 display 100% of the image in the viewfinder.
Eh? A camera with no flaws? Even my MP isn't perfect, but I'd much rather use it than an F3.
For my money - the F3HP HAD no flaws. I had no problems or issues with mine at any time. I loved it - and it was, by a LONG shot, the best 35mm I'd ever used. If only people actually USED their cameras more, and stopped just sittin' on their duffs looking at them...! (that wasn't a personal jab - just in case it be taken that way)
Try night shooting with it and reading exposure off that horrid LCD. I owned the F3HP and F2A side by side for months, and the F3 never got used. The better finder in the F2 (I don't wear glasses, and the HP finder in the F3 is only better for glasses wearers) and the better metering readout made a huge difference for me.
The F3 certainly has its flaws. The meter LCD and its (almost never working) backlight are by far the worst of them.
Actually, I'm pretty sure that the F3 used some of the first generation LCD's. At the time, there probably wasn't anything better.
I love my F3HP. What's an MP?
Interesting similarity in my case; I have an F2A and a couple of F3HP's, all in working condition. I hardly ever use the F2A because it doesn't feel well balnced (rather top-heavy in my opinion). Also, I find that my F2A is a bit too rounded or smooth on the edges making it slip from my hand much easier than an F3. I actually use my older F much more than my F2A (my F with Ftn metered prism is even more top-heavy than my F2A, but due to its sharper edges it sits better in my hands). I think I have used my F2A twice in the past year, whereas I always carry my F3HP and Nikon F with me all the time.
As far as reading the meter in the F3HP, it's a matter of getting used to it. I'll take an LCD over an LED any day (bad experiences with an FM2). It becomes second nature after a while. I do agree though that the tiny backlight is useless. Another slight drawback (or weak spot) that the Nikon F3 has is in the shutter release button being located on the film advance lever. I believe that this design is not as reliable as other Nikons (such as the F, F2, FM2, etc.) that have the shutter release button not attatched to the film advance lever.
This past weekend I took one of my F3HP's to Disney's Magic Kingdom in Orlando, Florida. For the sake of traveling lite I removed the MD4 motor drive and just took a couple of prime lenses. The F3HP with a 35mm AIS 2.0 is a very light weight combo. After walking around under the sun for about 7 hours, standing in long lines, getting into and out of rides, the F3 did not feel as heavy as other cameras I have used under the same circumstances. My only regret was that my shoulder strap was too wide (great when used with the F3, MD4, and large lens), so it kept slipping from my shoulder.
I truly came to loathe that awful LCD in that time. While the newer LCD and LCD-style LED displays on the AF Nikons are quite usable (and well backlit)
I just came across this thread and it prompted me to pull out my F3HP. I always knew you had full view so i guess i didnt pay much attention to the change from my FE2 or other Nikons to the F3HP. I see what your saying but it dosent come acrross as unusual to me.
I think that where it gets a bit tricky is when you use a wide angle or fisheye lens. Things will appear farther than they actually are even more so. By appearing even farther, will lines appear even more distorted through the viewfinder of an F3HP than they would through the viewfinder of another Nikon mounted with the same wide angle or fisheye lens? It doesn't make much of a difference on film, but I find the effect quite curious.
I think that where it gets a bit tricky is when you use a wide angle or fisheye lens. Things will appear farther than they actually are even more so. By appearing even farther, will lines appear even more distorted through the viewfinder of an F3HP than they would through the viewfinder of another Nikon mounted with the same wide angle or fisheye lens? It doesn't make much of a difference on film, but I find the effect quite curious.
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