It makes plenty of sense to do so. Why? Because I want to. Simple as that. There is still a side of photography that is more concerned with creative expression then with technicalities and "rules". I'll strap just about anything to a camera that'll throw an image and a lot of the time a beautiful result can be produced. I have images made with all kinds of optics that "make no sense" to use with whatever camera they were attached to and they sell very very well. Beauty is not governed by optical principles or lens rules. Don't get me wrong, I see your post as an effort to inform and that is appreciated but within the confines of what I'm doing it's a moot point. I suppose I'm not pursuing what would be considered "normal" photography so the rules that run that game dont apply to meit makes no sense to use such fast lenses in MF since the DOF zone is so small that the film is not flat enough to give sharp pictures from corner to corner. Furthermore the lenses are much more difficult to correct and are very large and heavy and very expensive. These are the reasons why we do not have more faster lenses for "normal" MF photography.
If so then not from Pentax. Their fastest 6x7 lens was the 2.4/105mm. However, one probably could argue that the 4.0/800mm lens was actually faster (at least in relation to its focal length). One would need a 1.19/100mm lens to obtain a 4.0/800mm lens with three 2x-converters. That's pretty fast.Wasn't there an f/1.9 lens for the P67?
Dan, yes this is my understanding as well. The S2A has a falling mirror. I believe the later models have the split mirror but I could be wrong. I'm not sure what the shortest back focus that will clear the mirror is. How exactly to I figure that out?Hmm. IIRC, the Bronica S and derivatives have a falling mirror (or is it a split mirror?) so can use lenses with shorter back focus than most 6x6 SLRs. Francesco, please verify this and tell us the shortest back focus that will clear the mirror.
Yes, I've been looking everywhere for Norita 66. So far no luck.Also Graflex/Norita 66 has Noritar 80mm f/2.0
Can you check this out and let us know?? Thanks!Goerz made a lens called the photometon - 75mm f2. It was made for 1920s era photobooths. There's also a B&L version but I've been told the construction of the two is slightly different. I have the B&L but haven't tried to use it - it'll cover 6x6 certainly, maybe even 6x7 or 6x9 - it's been a while since I looked at it.
Now your walking up my alley! I've been making homebrew lenses for a while now. Mainly working with found optics and using them as either single elements or building them up into interesting multi-element combinations. Admittedly, my knowledge of proper lens design is lacking but all I've ever been interested in to date has been hombrew projects I can do in my workshop. I have been entertaining the idea of bringing in an engineer friend who has access to the facilities of one of the colleges out here so that I might be able to start experimenting with grinding down my own lenses but that a future thing for now.To your point that you don't care what kind of crazy glass you put on your camera, what about building up your own lenses? Its not too hard to find lab/research grade optics. I'm in the academic/planning stages for my own right now but there some memebers here that could definitely help you out.
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