Silly me, I sort of thought they all had interlocks, but I guess that with the lamp warm up time you want to have them cooking before actually flipping media into them.
At the theatre where I do lighting rigging from time to time a while ago we rented a specialty luminare, called a Wildfire. It was a metal halide source, specially coated and filtered to mostly just put out UV . It had a bit of a blue glow, but man it would make blacklight sensitized hues jump to life at distances approaching 10m!
It had a large warning label to cation not to position it closer to people than 3m, and to limit overall exposure time.
I was involved in being the model to move around during focussing and level set. Good oxyaceteline goggles were a help, but I actually got a bit of a 'sun burn' on my exposed arms after a few hours monkeying wit the thing.