It's alive! How did I miss this thread a decade ago?
I contact in-camera negatives with both platinum and carbon processes, so grain is usually not an issue. Developed some 11x14 negatives (FP4+) this week in Ilford Universal PQ Developer. I vary the dilution depending on the scene's brightness range and printing process's needs (and keeping the develop times reasonable)...often at the 'paper dilution' of 1:9, but down to 1:19.
I have also used Dektol straight, as I did in the image below of the Golden Gate Bridge structure from the top of Fort Point (carbon print from a 4x10 negative taken on a very windy day).
PyrocatHD is my other developer I use.