I will say though, that 35mm color negative is pretty fun to shoot and make RA-4 prints. Certain subjects/lighting situations call for one format over the other, for example, indoor portraits with a speedlight seems to favour 35mm print film over MF slide film. I don't bother with 35mm for slides though, 120 is where it's at.why bother with 35mm color?
As someone sitting on a roll each of exposed yet undeveloped Provia and Velvia (both 120), my excitement level just went up. I've not really shot slides before this summer.
And as someone who just can't bring himself to drop film in a mailbox, I'm trying to find a lab in a city that I visit frequently. (There's nothing here in Pittsburgh.)
Darn, someone beat me to it!6x9 transparencies are like magic.
@bvy - Praus is in Rochester - that's not too far. I do mail mine, though.
Thank you both. I actually get to New York often enough that I could drop off and pick up while I'm there. I've read good things about Praus though.And Pittsburgh is no "wide spot in the road". You are in the same boat as most of us in the USA outside of NYC, Chicago, Las Angeles, and a few other cities. As someone who once dropped all my color slide film in a mailbox, it sure beats nothing.......Regards!
So my aversion to 6x9 up to this point was that I don't have an enlarger capable of printing anything larger than 6x7. But if I'm shooting slides, it's a moot point!6x9 transparencies are like magic.
I actually get to New York often enough that I could drop off and pick up while I'm there. I've read good things about Praus though
I think to myself, why bother with 35mm color?
I've spent so much time researching, and shooting 35mm cameras, but as soon as my 120 slide rolls come back, that "holy crap" feel comes back - as nice tiny slides are, 120s are amazing! The tone, the sharpness (borrowed mamiya 7)
I guess 35mm is still "more convenient" but then I see myself eying a bronica rf or a Fuji ga645...
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