For me, and the scanners I have worked with, I've got the best results from Satin RC. I started using Satin on the recommendation of a couple of very good darkroom workers and instructors and photographic artists, and I found myself agreeing with them.I'm interested to find out why poster #3 recommends using Satin paper for prints to be scanned. In my experience, this paper is the most difficult I've found to work with in scanning. Nice, clean Glossy paper, not too contrasty and with even mid-tones works best for me.
This first book will probably be from 35mm negative film.What format film are you planning to scan? Scan at the maximum optical resolution then resize in post to get the maximum from the scanner.
The V500, V550, V600 all have the same scanner specs for resolution and light source but the Dmax is only listed for the V600 and likely the same for the V500 and V550. Higher Dmax can produce better shadow detail.
Scanning prints crossed my mind as well. I have some prints of the work I intend to include in the book, but they're currently on glossy fiber paper. It's probably worth scanning a print (I'll try one on RC too) then scanning the negative from which the print was made and comparing the results.Personally, I would make darkroom prints (on RC Satin paper) and then scan the prints.
Personally, I would make darkroom prints (on RC Satin paper) and then scan the prints.
Scanning prints crossed my mind as well. I have some prints of the work I intend to include in the book, but they're currently on glossy fiber paper. It's probably worth scanning a print (I'll try one on RC too) then scanning the negative from which the print was made and comparing the results.
Will do.Please share when you have done that. Interesting comparison indeed!
Sampling density. Not resolution.6400 dpi max hardware resolution
A soft focus original will produce a soft focus scan even with sharpening.
A major factor in scanners is the lens quality. I had a Polaroid Sprintscan 35mm scanner that produced excellent scans due to the quality of the lens. The lens is what makes Nikon scanners so popular.
Epson states their resolution standard, they do not state if they make their lens or use another manufacturers lens.
The Epson resolution standard for all 3 scanners:
Optional optical resolution is the maximum scan resolution of the CCD elements, using the definition of ISO 14473. ISO 14473 defines optical resolution as the fundamental sampling rate of the scan sensor.
The stated hardware/optical scan limit is a reference number and nothing more. Will you see the difference between a 4800dpi and 6400dpi scan, likely not unless you have a very critical eye. Will you see the difference between a 2400dpi or 3600dpi and a 6400dpi scan, likely.
Look up some of the resolution post and read them rather than hijacking this thread into another useless debate as a reference number is a reference number and the test procedure and target used will produce different results compared to a different test method and target.
How large were the photo prints in the book? Which paper is best? Color or BW?My only experience is with a 750 scanner. Based upon my experience with this scanner I have produced book illustrations quite acceptable for my publications. I use InDesign, Photoshop, and Illustrator. Results also depend upon the printing house that produces your book. Self publishing is time consuming if you doo all work yourself while demanding a quality product.
Alan, mine were prints for a standard 6x9 book. Selected more as exhibits rather than photos per se. Most occupied less than a page. In early 1960s I was invited to a small party given by Knopf’s chief editor at his swanky Manhattan apt. After doing self editing I can appreciate the high level of his income.How large were the photo prints in the book? Which paper is best? Color or BW?
These prints you have on glossy fiber paper, must have been from scans already right? Are these scans from your Epson? How large are these prints and are you happy with the prints? Scans from the film are always going to be much better then the scans from the print that came from scans from the film.Scanning prints crossed my mind as well. I have some prints of the work I intend to include in the book, but they're currently on glossy fiber paper. It's probably worth scanning a print (I'll try one on RC too) then scanning the negative from which the print was made and comparing the results.
These prints are not from scans, they were made optically from 35mm negatives.These prints you have on glossy fiber paper, must have been from scans already right?
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