nsurit
Subscriber
I've just recently purchased a Beseler 45V XL, which will be used in a home I will be building next year. So for now, it will be in storage and I'll be in the hunting and gathering stage for used equipment for the darkroom. I'll be using a darkroom at a school until mine is up and running.
With the enlarger came three lenses. They are an Schneider/Kreuznach Componon-S 50mm f2.8 #14370XXX, an EL-Nikkor 80mm f5.6 #705XXX and an EL-Nikkor 135mm f5.6 #527XXX. Each of the lenses appears to be in Mint to LN condition. When I search our favorite auction site, I find that the lenses, with the exception of the 135mm, are of relatively little value to buyers. Is this because of their quality or does it reflect a huge supply with little demand in this "let's all switch to digital" age? If I am going to spend the time, effort and money to produce traditional (or alternative process) prints I would like to have as near the best lenses I can reasonably afford attached to the enlarger. Any opinions on these lenses or others I might consider would be greatly appreciated.
I will be printing negatives ranging from 1/2 frame to 4X5 generated by a variety of cameras, using pinholes, zone plates and lenses produced from about the 1930's until this century. Is anyone aware of a negative carrier available for either the Beseler 45 series or the large Omega enlargers for 1/2 frame 35mm? Additionally what solutions have others used for printing 1/2 frame negatives in a series of 4 or 5 at a time?
Hmm, my questions are starting to look like my grandchildrens list for Santa. Thanks in advance. Bill Barber
With the enlarger came three lenses. They are an Schneider/Kreuznach Componon-S 50mm f2.8 #14370XXX, an EL-Nikkor 80mm f5.6 #705XXX and an EL-Nikkor 135mm f5.6 #527XXX. Each of the lenses appears to be in Mint to LN condition. When I search our favorite auction site, I find that the lenses, with the exception of the 135mm, are of relatively little value to buyers. Is this because of their quality or does it reflect a huge supply with little demand in this "let's all switch to digital" age? If I am going to spend the time, effort and money to produce traditional (or alternative process) prints I would like to have as near the best lenses I can reasonably afford attached to the enlarger. Any opinions on these lenses or others I might consider would be greatly appreciated.
I will be printing negatives ranging from 1/2 frame to 4X5 generated by a variety of cameras, using pinholes, zone plates and lenses produced from about the 1930's until this century. Is anyone aware of a negative carrier available for either the Beseler 45 series or the large Omega enlargers for 1/2 frame 35mm? Additionally what solutions have others used for printing 1/2 frame negatives in a series of 4 or 5 at a time?
Hmm, my questions are starting to look like my grandchildrens list for Santa. Thanks in advance. Bill Barber