Hi, make sure you are using a 2.5 inch or taller cone, instead of a flat board.
Jon
The older D's had fixed condensers in three sizes. Make sure your fixed condenser houses the 6 1/2" lenses.
Hi, the concept is: the farther the lens is away from the negative, the closer the image will focus. Therefore there are different mounting cones/boards for the lens to attach to the enlarger. So, is the mounting board that the 135mm lens attached to cone shaped or a flat one?
Jon
Which make and model lens are you using?
I don't know that lens but 4x5 enlarging lenses are usually 150mm. A 135 is a wide angle which is usually used for bigger than normal enlargments or where you have limited ceiling height in the darkroom. A 135 lens requires less bellows extension than a 150 lens for the same size enlargement. Also most 4x5 enlarging lenses will be past their optimal limit doing a 5x7 as they are optimised for around a 6X enlargement factor with a working range of between 2X and 10X but it really depends on the lens as some are designed for much bigger enlargement and some are designed for duplicating at 1:1 ratio (process lenses).
When you focus, if you can see the image start to come into focus but it never quite gets there, then it is probably limited bellows extension. But if you can go past the point of best focus without it actually becoming sharp, then it could be the lens.
The Fuji EP lens is a top level design (it may be a six element) only surpassed by the Fuji EX, which has multicoating for color printing. DON'T think it is not a quality lens! The 'P' stood for Professional IIRC.
-Fred
Yes, as you found out, you need the cone for
the 135mm, or it won't focus close enough.
You can look for a 2.5 inch cone ... Jon
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