Yeah I use 1+100 Rodinal as a stand developer for 1 hour, its the only stand developer that doesnt leave streaks on the film and develops evenly for me, though I think that may leave a rough grain on the 16mm (motion picture) I intend on using it with, yes I've tried the ascorbate/borax additives to Rodinal, mixed up a batch, tried it in stand, no longer developers evenly and leaves streaks acros the sprocket holes.
Though I think that may not be such an issue with 16mm as the backside of the film will be stuck flat against another surface, only emulsion side will be in free moving solution.
I've mixed 'Diafine' from a recipe I found qouted on here, it works well, even as a first developer for a colour neg process, which is what
Thanks Alan Johnson, I actually have some CD-2 on the way.
I'd like something economic for my 16mm processor design, which will use 3.3 litres per 100ft, so its a highly dilute developer, re-usable 2-bath, or possibly split development with something like rodinal/ascorbate, or plain ascorbate, before a 1+100 stand for 30 minutes or something.
I tried mixing up a CD-3 based 2-bath, up to 40g/L from using part B of my Kodak E-6 Colour Dev Replenisher, contrast was low and was quite thin, not much development took place, so I gave that up, but bath A pH was acidic, which may have been a mistake compared to other 2 bath designs.
It doesn't matter if its b&w or colour developing (ppd, CD-2, CD-3 etc), as I can get a colour neg from a b&w neg by fixing, bleaching and colour developing after, which has worked extremely well for me thus far, so just pretend we're talking about b&w methods and techniques here
What I'm after, is fine grain, compensating, economy of developer, I dont care about speed increasing, and can sacrifice speed even to achieve what I need. I have most developers apart from amidol, and metol, I can get metol if I have too, but it'll come from the UK as its ridiculously expensive here.